Étude de cas d’une pratique enseignante de lecture d’album en cycle 3 : de l’intention au réalisé by Nicole Audoin-Latourte

“…This article is based on the case study of a session in literature led by a teacher in year 6, from a satirical album. It tries to understand the teacher’s activity in the field of didactics of literature, and in the exploitation of the link between the text and the picture, in a catchy yet complex album. …”
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Geschichte im Roman / Roman in der Geschichte by Klaus-Detlef Müller

“…In his novel Success [Erfolg], Feuchtwanger satirically draws on social constellations and political events in the early years of the Weimar Republic. …”
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Du blanc au gris, du gris au noir : les métamorphoses de Goya by Maud Le Guellec

“…Between rural settings and royal portraits, social satires and nightmarish scenes, it is impossible to grasp the abundant work of a multi-faceted Goya in a single glance. …”
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Geo Bogza și provincia ca aventură – note despre O sută șaptezeci și cinci de minute la Mizil by Paul Cernat

“…This study reinterprets an inter-wars text from the prose of Romanian writer Geo Bogza – the experimental reportage One Hundred and Seventy Five Minutes in Mizil [O sută şaptezeci şi cinci de minute la Mizil], from a multiply focused perspective. Unlike the minor or satiric prose about the Romanian townlets of 1900, Bogza’s piece of writing is regarded as a form of paradoxical rehabilitation of the provincial anonymity by a grid partly indebted to the vanguard. …”
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Der Professorenroman : Michel Zink entre philologie et invention by Monica Longobardi

“…The present research intends to investigate the links between the institutional activity of the famous medievalist, Michel Zink, and three of his less well-known novels (at least in Italy): the novel about the grail “Déodat ou la transparence” (2002); the volume in the investigative series “Arsène Lupin et l’affaire d'Arsonval” (2004) and the satirical novel “Un portefeuille toulousain” (2007). …”
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Londres, les années 1620 by Michael Palmer

“…The author examines London corantos of the 1620s and the satirical treatment they received from playwright Ben Jonson, who lampooned the growing appetite for such fanciful and fantastical reports. …”
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Dog-type : amours de chiens, chiennes d’images et types ordinaires dans le daguerréotype américain by François Brunet

“…I conclude with a lexicological and contextual analysis of the phrase “dog-type” and its various possible meanings, whether satirical or not.…”
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« Un néant follement attifé » : macabre et grotesque dans Mesure pour Mesure by Sophie Chiari

“…In an anamorphic play such as Measure for Measure, the grotesque is endowed with a strong satirical power, and its close relation to the macabre makes it even stronger. …”
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Dickens Today by Marianne Camus

“…It also looks at the alternatives, such as the dream of a return to a golden age, or the relief given by satirical laughter, both signs of helplessness against the power of money, even if Dickens’s novels always end with the righteous being rewarded.…”
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La fonction mnémonique des cartes à jouer illustrées : Le rôle de la mémoire dans la réception et la diffusion des idées whig à travers le jeu de cartes The Meal Tub Plot (c. 1681)... by Sophie Lambea

“…However, understanding the meaning of these illustrated playing cards is difficult for today’s reader/observer, as Francis Barlow based the narrative of his illustrations on the memory of events that took place at the end of the seventeenth century and knowledge of the historical and cultural context is necessary to fully understand the satirical scope of the playing cards.Besides, The Meal Tub Plot playing cards were not only intended to entertain, but also to help shape public opinion and the collective memory of the English people, thereby facilitating the accession of William of Orange to the throne in 1689.…”
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La violence politique dans le périodique satirique Simplicisssimus de l’avant à l’après Première Guerre mondiale by Pascale Cohen-Avenel

“…Political violence is particularly present between 1919 and 1923 in Simplicissimus, which was the most famous, and indeed the best, satirical magazine in Germany at the beginning of the 20th century. …”
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Horaţiu şi Augustus by Alexandra Ciocârlie

“…Originally, while being on the republican side, the poet participates in the battle from Philippi, in which he was enrolled as tribune, and was fighting under command of Brutus. In his first satires and epodes, characterised by a realistic expressiveness, he manifests a reserved attitude towards Octavian, whom he indirectly mentions in passing. …”
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Murder and Aesthetics in Patricia Highsmith’s Deep Water by Robert Lance Snyder

“…Highsmith’s mordantly unsettling narrative anticipates the mimetic fascination with murder in postmodern popular culture that ever since Thomas De Quincey’s 1827 satirical essay on the subject has abounded in fiction, nonfiction, and film. …”
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Faire mémoire par le trait ou les tribulations latino-américaines de Charlie by Frédérique Langue

“…In an adverse context for freedom of thought in the so called public sphere (both in Europe and Latin America), this essay explores the sense that is supposed to have from Latin America one of the "recent disasters" of present times, as was the attack against the satirical newspaper Charlie Hebdo in January 2015. …”
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Biblical Intertextuality in Ferran de Pol by Josep V. Garcia Raffi, Xavier Garcia Raffi

“…Ferran de Pol’s rewriting of the Bible has multiple and heterogeneous functions: in some cases it acts as the central axis of a specific work, in others it has compositional, rhetorical, satirical, conceptual or parodic functions. …”
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Siyasal Meşruiyetin Sağlanmasında Medyanın Rolü Üzerine Bir Değerlendirme by Mehmet Emin Satır

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Ruiz Zorrilla y El Motín: la construcción de una legitimidad revolucionaria en la prensa satírica republicana durante la Restauración (1881-1895) by Eduardo Higueras Castañeda

“…The aim of this paper lies on analyzing how republican satiric media, with special attention to the illustrated magazine El Motín, defined a public image of Ruiz Zorrilla associated with the legitimacy of the republican revolution, in front of a monarchic system that represented reactionary values.…”
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Disease, Deformity and Health Terrors in 19th-Century Cartoons: A Cultural History of Science by Ainhoa Gilarranz-Ibáñez

“…The “cultural visualisation” of science via exhibitions, fairs and illustrated publications became even more intense and widespread in the nineteenth century. In this context, satirical images linked to scientific development proliferated. …”
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HZ. PEYGAMBER’İN KAYINVÂLİDESİ: ÜMMÜ RÛMÂN by Hatice Nur Ertürk

“…Diğer yandan, İslâm’ın doğuş ve gelişmedönemlerine tanıklık etmiş, sıkıntıları göğüslemişbirçok hanım, adeta gözlerden uzak satır aralarındakalarak araştırmacılar tarafından ele alınma sırasınıbeklemektedir. …”
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“Punk’s Not Dead, It Lives on The Football Terraces”: Tracing The Legacy of Punk in Subcultural Milieu of The Football Firms by Hüseyin Serbes

“…The findings reveal that Punk’s aggressive, rhetorical and satirical aesthetic codes exist in the stands. The discovery of Punk, which offers a subcultural capital against commodification, alienation and commercialized football, may regenerate the praxis of pleasure, poetry, art, imagination, love and revolution on the football terraces.…”
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