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    Theoriebildung in ästhetischer Praxis. Nikolai A. Roslawez’ zweite Klavier-Etüde Pianissimo aus den Trois Études (1914) by Michael Koch

    Published 2015-01-01
    “…Although there had been no institutionalised schooling or formal teaching of such methods in Saint Petersburg and Moscow, an experimental (piano-)repertoire evolved within conservatory circles where composers paraded their theories and put them to the test as an ›aesthetic praxis‹. …”
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