Rhetorical terms in Safavid biographies by محمد رضایی, آرزو نقی زاده

“…A literary text as having the âcharacteristics of the rhetoric and eloquence may be reviewed âat any period of history in a different way. In the Safavid era âwith the fusion of Persian poetry and the taste of Hindi poets ââ,further developments of this sort happened. …”
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A Critique of Iran in the Safavid Era by Behzad Karimi

“…The main purpose of this article is to analyze and criticize the ideological ideas of the historiography of Shah Isma'il I Safavid in the book of Iran in the Safavid Era by Ali Akbar Velayati. …”
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The Criticism of Roger Mervyn Savory’sApproaches to Safavid History by Ali Salarishadi

Subjects: “…history of the safavids…”
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Methodological Criticism of the Book of Theater History in the Safavid Period by Majid Sarsangi, Sadeq Rashidi, Farhad Amini

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The Critique of the Book "The Crafters and Their Business Life in the Safavid Period: Essays in the Socio-Economic History of Iran" by Shahram Yousefifar, Ahmad Abohamzeh, Behrang Zolfaghari, Amir Samadi Ahangar, Zahra Ghashghaei Nejad, said najjar

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A Critical Review on the Book Transformation of the Foundations of the Legitimacy of the Monarchy: From the Mongol Invasion to the Rise of the Safavids by Abdollah Sajedi, Hooshang Khosrobigi

“…One of the most recent of these works is The evolution of the foundations of the legitimacy of the monarchy from the Mongol invasion to the rise of the Safavids. This work examines the evolution of the foundations of the legitimacy of this period in the context of a pervasive crisis of legitimacy in the form of multiple models, emphasizing that with the fall of the caliphate and the arrival of the Mongol element, the complexity of the foundations of legitimacy doubled and new inspiring foundations. …”
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The Textual Criticism and Structural Analysis of Noorbakhshi’s Adab-e- Insha in the Rhetoric of Prose and the Epistolary of the Safavid Era by amir jahadi

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A Critique on the Translation of the Book “A Fiscal History of Iran in the Safavid and Qajar Periods” By Willem Floor by Amin mohammadi

“…Researchers such as Willem Floor and Rudi Mattee investigated the documents and archives about Finance, tax, trade and bazaar in Iran by a focus on Safavid and Qajar era. By the way, some Iranian translators try to interpret their books as soon as possible. …”
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Critical Stylistics of Shah Tahmasb Safavid Letter to Ottoman Sultan Suleiman With a critical discourse analysis approach by Amirhossein Salek, Mohammadamir Jalali

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Buhara Hanlığı ve Afganistan by Muhammed Bilal ÇELİK

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L’art du portrait entre l’esthétique occidentale et persane dans l’Iran safavide 1501-1736 by Aya Sakkal

“…The presentation focuses on the opening of the Safavid dynasty from the 16th to the 18th century to Western painting, encouraging the arrival of Western painters with their own conceptions of art and their personal techniques. …”
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A Structural Critique and Analysis of The Sadegha-ye- Tabrizi’s Monshaat and the Study of the Insight and Method of the Scribe (11th century AH) by Reza Shah Maleki, Houshang Khosrow Beigi, Jamshid Noroozi

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Altan Çetin-Kaan Dilek. Safevi Tarihi (Safevi Tarihinin Kaynakları). Ankara: İraniyat Yayınları, 2017. by Alper Yıldırım

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Formulation of the Seven Principles of Iranian Art A Critique of the Book Seven Decorative Principles of Iranian Art by Alireza Taheri, Roya Zarifian

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A Sociolinguistic Investigation of the influence of power in Ālam-ārā-ye Safawi by Manizhe pourali, Ghahreman Shiri

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A Critical Review on the Book “Abassid Period History” With Regards to Critical Discourse Analysis by moslem soleimanian, siavsh yari, Zoleikha Amini

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Why is allegory the basis of Indian style (sabk-e hendi)? by Morteza Ghasemi, Hossein Hasanrezaei, Fatemeh Hakima

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Erzurum Arkeoloji Müzesi’nden Büyük Selçuklu Etkisinde Madeni Bir Kâse by Nihat Sefa Komesli, Ayşe Duran

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<i>Turbat al-Ḥusayn</i>: Modern Presentation of an Early Shīʿī Practice by S. M. Hadi Gerami, Zinab Aghagolizadeh

“…The paper examines the development of <i>turbat</i> rituals across three significant periods: pre-Safavid, post-Safavid, and post-revolutionary Iran. …”
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Deviation in Bidel Dehlavi`s lyrics based on Leech`s pattern by Mahdai Sharifieyan, Mostafa Mortezaei

“…Bidel Dehlavi, one of the most famous poets of Safavid era lived in the eleventh and twelfth century .He is considered to be an outstanding poet in the history of Persian literature, so that he is the greatest poet after Jami and Amir Khosrow. …”
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