A design method of large-scale partial similar model test for cementing casing string system by Linshan Qi, Yiyong Yin, Liyan Wang, Congfeng Qu, Guodong Liu, Jun Li, Dong Liang, Shuofei Yang

Subjects: “…Cementing casing string system…”
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Calculating the average distance between horizontal projection peaks by D. V. Zaerko, V. A. Lipnitski

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The decoupling of moduli about the standard embedding by Beatrice Chisamanga, Jock McOrist, Sebastien Picard, Eirik Eik Svanes

Subjects: “…Superstrings and Heterotic Strings…”
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FRACTURE PROPERTIES OF PIANO STRINGS ON THE V-BAR by HU QianRu, ZHUAN Xin

Subjects: “…Piano strings…”
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Scattering, absorption and emission of highly excited strings by M. Firrotta, E. Kiritsis, V. Niarchos

Subjects: “…Bosonic Strings…”
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Investigating 9d/8d non-supersymmetric branes and theories from supersymmetric heterotic strings by Yuta Hamada, Arata Ishige

Subjects: “…Superstrings and Heterotic Strings…”
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A heterotic Kähler gravity and the distance conjecture by Javier José Murgas Ibarra, Paul-Konstantin Oehlmann, Fabian Ruehle, Eirik Eik Svanes

Subjects: “…Superstrings and Heterotic Strings…”
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Compton scattering from superstrings by Thales Azevedo, Daniel E. A. Matamoros, Gabriel Menezes

Subjects: “…Superstrings and Heterotic Strings…”
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Pulsating string solution and stability in two parameter χ-deformed background by Rashmi R Nayak, Nibedita Padhi, Manoranjan Samal

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›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 by Benjamin Sprick

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Gravitational waves from high temperature strings by Andrew R. Frey, Ratul Mahanta, Anshuman Maharana, Fernando Quevedo, Gonzalo Villa

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Quantum-Ordering Ambiguities in Weak Chern—Simons 4D Gravity and Metastability of the Condensate-Induced Inflation by Panagiotis Dorlis, Nick E. Mavromatos, Sotirios-Neilos Vlachos

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Thermodynamics from the S-matrix reloaded, with applications to QCD and the confining Flux Tube by Pietro Baratella, Joan Elias Miró, Emanuele Gendy

Subjects: “…Long Strings…”
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»Das Geschriebene darf nicht ernst genommen werden – das Geschriebene muß todernst genommen werden«. Zur Notation und Interpretation musikalischer Gesten im Schaffen György Kurtágs... by Tobias Bleek

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Das galante Modell als kreativer Raum by Johannes Raiser

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›Ur‹-Linie und thematischer Prozeß. Die formbildende Rolle der Subthematik in Beethovens Streichquartett op. 95 by Folker Froebe

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Zyklizität und Drama(turgie) in Scelsis viertem Streichquartett by Volker Helbing

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Zur Deutung von Dokumenten kompositorischen und analytischen Denkens. Béla Bartóks Arbeit mit zyklischen Themen by László Vikárius

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Zur Artikulation von Tonfeldern bei Brahms, Debussy und Stockhausen by Michael Polth

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