“No female weakness harbour’d there”: Epic Reframing of the Notorious Queen in Margaret Holford’s Margaret of Anjou: A Poem by Okaycan Dürükoğlu

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Schon wieder das Lied!. Robert Schumanns »In der Fremde« und die Kriterien musikalischer Analyse by Felix Diergarten

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Predictors of Young Adult Women’s Psychological Well-Being in Romantic Relationships by Elif Yöyen, Süreyya Çalık, Tülay Güneri Barış

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Influence of relationships with mothers on romantic relationships of daughters by V. V. Kozyreva, V. A. T. Pham

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Benedict Taylor, Towards a Harmonic Grammar of Grieg’s Late Piano Music: Nature and Nationalism (= RMA Monographs, vol. 29), London: Routledge 2017 by Bjørnar Utne-Reitan

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Castil-Blaze troubadour by Séverine Féron

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›Kollision‹ und ›Verschiebung‹. Satztechnische Modelle in Liedern Robert Schumanns by Anno Schreier

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Harmonische Systeme des ausgehenden 19. Jahrhunderts und ihre Anwendung auf die Musik Richard Wagners by Ariane Jeßulat

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Unendliche Skepsis: Offene Form in Chopins Mazurken by Johannes Quint

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Romantik İlişkilerde Sosyal Medya Kullanımı: Nitel Bir Araştırma by Yıldız Arıcı, Gül Esra Atalay, Yağmur Tanrıverdi

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Musikalische Zeitgestaltung in Mendelssohns Liedern ohne Worte by Ullrich Scheideler

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