The Religious Work of Beverly Jenkins’s Black Historical Romance by Jeania Ree V. Moore

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Un círculo de deseo: los romances nacional nacionales en América Latina by Doris Sommer

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The Subaltern Speaks in Anna Weamys’ A Continuation of Sir Philip Sidney’s Arcadia: A Foucauldian Perspective by Merve Aydoğdu Çelik

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Un romaniste romantique : François Raynouard by David Fabié

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Scaling counterarguments: by Elena Callegari

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Copies and (Ab)originals: The Problem of Authenticity in Jane Urquhart’s Away (1993) by Claire Omhovère

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Sigmatic plurals in Romance varieties spoken in Italy and their interaction with -i plurals by Leonardo M. Savoia, Benedetta Baldi, M. Rita Manzini

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Escenas de lectura: naciones imaginadas y el romance de la historia en Hispanoamérica by Fernando Unzueta

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Phenomena in Romance verb paradigms: Syncretism, order of inflectional morphemes and thematic vowel by Benedetta Baldi, Leonardo M. Savoia

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Moving from Cognitive Loyalty to Behavioral Loyalty through Brand Romance: Evidence from Hotel Industry of Iran by Amir Khazei Pool, Farhad Hanifi, Vahid Reza Mirabi, Mohammad Javad Taghipourian

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On Tense, agreement, and the syntax of null and overt subjects by Gerardo Fernández-Salgueiro

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Delectare ed prodesse: aventuras, placeres y didactismo en el Conte du Papegau by Lidia Amor

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Antrešelj: An early Romanian remnant in Serbo-Croatian by Ligorio Orsat

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Em câmara lenta, de Renato Tapajós, 40 anos: autocrítica pública e sobrevivência by Maria Zilda Ferreira Cury, Rogério Silva Pereira

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‘A queer combination of a child’s mind with a grown-up joke’: Dickens’s Child Narrators in Holiday Romance (1868) by Isabelle Hervouet

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Clitics in imperative: proclisis, enclisis and mesoclisis in Albanian and in Italo-Romance varieties of Lausberg area by Benedetta Baldi, Leonardo M. Savoia

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An Alternative History of the Grail Quest by Anastasija Ropa

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Pero Budmani’s four letters to Hugo Schuchardt by Ligorio Orsat L.

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Accounting for asymmetries in cleft sentence use by Bianca Maria De Paolis, Cecilia Andorno, Sandra Benazzo

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Laboratory Islands: Renaissance(s), Regression and Re-creation in H. G. Wells’s The Island of Doctor Moreau and R. L. Stevenson’s The Ebb-Tide by Julie Gay

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