¿Dinero o trascendencia? La frivolidad del arte durante el Rococó by Carlos Alejandro Ponzio de León

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Antón Samón Pinós, platero barcelonés del último cuarto del siglo XVIII y primer tercio del XIX by Francisco Javier Montalvo Martín

Subjects: “…Platería; Barcelona; siglos XVIII-XIX; Antón Samón; rococó; neoclasicismo; herradura.…”
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El platero Vicente Gargallo y Alexandre (1742-1808): novedades biográficas y su trabajo en la catedral de Sevilla by Antonio Joaquín Santos Márquez

“…Y seguidamente, se atiende a su faceta como platero catedralicio y a sus trabajos más relevantes, en los que comprobamos el debate existente en este periodo de transición, entre la tradición rococó practicada por el orfebre y su forzada adecuación a las novedades del Neoclasicismo impuestas por la élite del cabildo catedralicio. …”
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The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos by Rosário Salema de Carvalho

“…Based on these findings, they concluded that the model launched by Le Moyne’s painting and promoted by Cars’ print became highly popular from the 1740s on, and even more so with the rise of the Rococo style. In fact, it ended up replacing the previous models, thereby putting an end to the pictorial diversity that had characterized former depictions of the Annunciation in azulejo. …”
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MOZART’S MINUET by Ecaterina BANCIU

“…Indications referring to character appear: Menuetto-galante, Menuetto Maestoso On conclusion, the initial simplicity of the phrase and harmony allowed a series of innovations required by the aesthetics of the Rococo: harmonic and tonal contrasts, the infiltration of new ternary styles and the counterpoint writing. …”
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