Tradíciók és interpretációk: Richard Strauss Rózsalovagja by Orsolya Gyárfás

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Salome, an Obsessive Compulsive Myth, from Oscar Wilde to Richard Strauss by Jacques Coulardeau

“…That also leads to an end that looks like some form of expiatory justice. Richard Strauss amplifies the text and the subject with his music and his German libretto.…”
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Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss by Pascal Aquien

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Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt by Kilian Sprau

“…Das Lied Breit über mein Haupt dein schwarzes Haar von Richard Strauss liegt in zwei schriftlichen Fassungen vor: der als op. 19/2 publizierten Erstfassung (1888) und der jüngst edierten Zweitfassung von 1944. …”
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Zwischen Schopenhauer und Freud. Ernst Kurths Musiktheorie als hermeneutisches Potenzial by Wolfgang Krebs

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Granulomatous Lung Disease Requiring Mechanical Ventilation Induced by a Single Application of Oxaliplatin-Based Chemotherapy for Colorectal Cancer: A Case Report by Dane Wildner, Frank Boxberger, Axel Wein, Kerstin Wolff, Heinz Albrecht, Gudrun Männlein, Rolf Janka, Kerstin Amann, Jürgen Siebler, Werner Hohenberger, Markus F. Neurath, Richard Strauß

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Vers un nouveau mythe lunaire de Salomé, Modernité de la mise en scène de la danse de Salomé by Atsuko Ogane

“…In Wilde’s Salome, the Moon is omnipresent. Richard Strauss produced Wilde’s moonlit piece which held supremacy over the world throughout the last century. …”
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Wilde’s French Salomé by Emily Eells

“…Wilde’s play is untranslatable: both the illustrator Aubrey Beardsley and the composer Richard Strauss recognized the quintessential French quality of the script, and respected it in their creative translations into another artistic genre.…”
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Un opéra français d’après la Salomé de Wilde, l’appropriation d’un drame by Déborah Bonin

“…By placing the young Judean princess at the heart of the drama and using, in keeping with other symbolist authors, language resembling a musical dialogue, Wilde’s play inspired a number of musicians including Richard Strauss, Alexandre Glazounov and the French composer, Antoine Mariotte.What were the reasons for Mariotte’s enthusiasm for his English contemporary’s play ? …”
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Music and the perception of the mountains through the symphonic poems of Liszt, Franck and Strauss by Adrià San José Plana, Jordi Martí-Henneberg, Justino Losada Gómez

“…This is a process that began and was developed in Europe in the course of the 19th century.To do so, we propose a study of the symphonic poems entitled “Ce qu’on entend sur la montagne” by César Franck (1822-1890) and Franz Liszt (1811-1866), and “Eine Alpensinfonie”, by Richard Strauss (1864 – 1949). The areas that we focus on are the Alps and the Pyrenees as these areas are where these works were set. …”
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Musique et perception de la montagne à travers les poèmes symphoniques de Liszt, Franck et Strauss by Adrià San José Plana, Jordi Martí-Henneberg, Justino Losada Gómez

“…C'est un processus qui a commencé et s'est développé en Europe au cours du XIXe siècle.Pour ce faire, nous proposons une étude de deux poèmes symphoniques que César Franck (1822-1890) et Ferenc Liszt (1811-1866) ont composé sous le même tire, « Ce qu’on entend sur la montagne », et de « Eine Alpensinfonie » de Richard Strauss (1864-1949). Les zones sur lesquelles nous nous concentrons sont les Alpes et les Pyrénées car ce sont les endroits qui leur ont apporté l’inspiration nécessaire. …”
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