Published 2024-12-01
“…As an example of the above, I will describe a highly representative case from a research topic that I have been working on for many years, namely the organisation of tonal space in
Renaissance music. Building, among other things, on an intuition of Frans Wiering, Marco Mangani and I have tried to reconstruct what can be called “inevitable presentism”, that is, the recognition that cultural phenomena of the past can, for obvious reasons, only be observed from outside the culture that produced them. …”
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