Schism – and Reformed theology? by D.J. Smit

“…These fundamental issues involve, first, the wellknown Reformed passion for the unity and catholicity of the church; secondly, the equally widely known traditional Reformed problems and troubling experiences with questions of unity and catholicity; thirdly, some typically Reformed theological perspectives on unity and catholicity as their contribution to ecumenical thought and practice, and, finally, some concrete and urgent practical challenges currently facing the Reformed faith and world community regarding unity and catholicity. …”
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Reformed theology for the 21st century: confessional, contextual and ecumenical by S. A. Strauss

“… This article scrutinises two important, recently published books on the identity of Reformed theology. These books serve as a springboard for the formation of ideas concerning the way in which Reformed theology should be practised in the 21st century. …”
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Gereformeerde teologie in die spervuur tussen fundamentalisme en anti-fundamentalisme by G. J. C. Jordaan

“…Therefore the anti-fundamentalistic accusation against reformed theology proves to be mostly without a sound basis. …”
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Reformierte dogmatik zwischen konfessioneller bindung nd der verpflichung zu weiterführender (auch konfessionsübergreifender) theoriebildung by M. Beintker

“…The fact that reformed theology is inevitably confessional bound consequently implies supplementary forming of theory. …”
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DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ by Miklós FEKETE

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Linking organisational life cycle models to church’s dual nature for effective management by Osward Sichula, Patrick Nanthambwe, Vhumani Magezi

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DER MUSIKALISCHE SPRACHE DES KOMPONISTEN PIERRE VILLETTE IN DEN „A CAPPELLA MOTETTEN HYMNE A LA VIERGE (OP. 24) UND PANIS ANGELICUS (OP. 80)“ by Miklós FEKETE

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THE ORGANS OF THE REFORMED DIOCESE FROM ERDŐVIDÉK - EXAMINATION PAPER ABOUT THE HISTORY OF THE ORGANS - PART I - by István Zoltán KISGYÖRGY

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“HA FOLYÓVĺZ VOLNÉK ... (HAD I BEEN RUNNING WATER ...)”, EQUAL VOICES CHOIR, OP. 1, BY EDE TERÉNYI (1954) by Gabriela COCA

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DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT by Miklós FEKETE

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DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

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COMPETENCE BASED MUSIC TEACHING by Éva PÉTER

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Wat is 'n gereformeerde liturgie? by J. Janse van Rensburg

“…The article endeavours to indicate principles for  renewal, based on reformed theology and not on the reformed tradition. …”
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THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS by Gabriela Coca

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ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

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DIFFERENTIATION IN MUSICAL EDUCATION by Éva PÉTER

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW by Noémi MIKLÓS

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FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY’S “SEVEN EASY CHORAL PIECES FOR CHILDREN" by Gabriela COCA

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THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE by Éva PÉTER

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