Reception of Penelope’s Character in 20th Century Poetry: Female Modernism and Latvian Writer Aspazija by Dina Eiduka

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Une histoire de la réception de Flaubert en Hongrie by Krisztina Horváth

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La réception des dispositifs immersifs au sein des expositions. Étude de publics au sein de l'exposition « Osiris, mystères engloutis d’Égypte » à l'Institut du monde arabe.... by Floriane Casula

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English language students’ productive and receptive knowledge of collocations by Begagić Mirna

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VERDI AND WAGNER IN EARLY VICTORIAN LONDON: THE VIEWPOINT OF “THE MUSICAL WORLD” by Massimo ZICARI

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Dans le monde des miroirs déformants by Piotr Śniedziewski

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Entre caminhos e fronteiras: a gênese do conceito de "campo literário" em Pierre Bourdieu e sua recepção no Brasil by Wander Nunes Frota, Enio Passiani

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La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon by Isabelle Dubois-Brinkmann, François-René Martin

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Colour reception(s): The Narrative of the Exhibition “Colour Revolution: Victorian Art, Fashion and Design” (Ashmolean Museum, Oxford, 21 September 2023-18 February 2024) by Charlotte Ribeyrol

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Pour une esthétique de la réception en histoire des idées politiques by Clément Rodier

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Introduction by Jagna Oltarzewska

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Accords et désaccords. Pratiques et représentations de la guitare à Madrid et en Andalousie de 1883 à 1922 by Vinciane Trancart

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L’agir collectif des encadrantes de la petite enfance dans les structures d’accueil by Christine Gautier-Chovelon

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The Ancient Greeks in the Thought of Arvydas Šliogeris: The Ambiguity of Reception by Gintarė Škėmaitė

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Ladies-in-Waiting and Portraiture at Philip II’s Court: Portraits of the Habsburgs and of “Unknown Lady” in the Museo del Prado by Vanessa De Cruz Medina

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A Southern Shakespeare? by Michèle Vignaux

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Visions and Revisions: The Multiple Lives of Mina Loy’s Lunar Baedeker by Diane Drouin

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Nietzsche's Labyrinth(s) by Yvanka Raynova

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La réception de la Première Guerre mondiale dans le champ culturel équatorien by Elodie Lenoël

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Talking Back to Virginia Woolf in Her Own Words: Gendered, Racial, and Literary Passing as Forms of Counter-Interpellation in Kabe Wilson’s “Dreadlock Hoax” by Valérie Favre

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