David Roche, Inglourious Basterds de Quentin Tarantino by Julien Achemchame

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Philippe Ortoli. Le Musée imaginaire de Quentin Tarantino by David Roche

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Nama, Adilifu. Race on the QT: Blackness and the Films of Quentin Tarantino by David Roche

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Quentin Tarantino : du cinéma d’exploitation au cinéma by Philippe Ortoli

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Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique by Pierre Jailloux

“…Produced by Quentin Tarantino, the first two installments of Hostel (Eli Roth, 2005, 2007) belong to a subgenre of horror that emerged in the early 2000s, the torture porn, and are heavily influenced by exploitation films. …”
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Racial Violence at the Crossroads of West and South in Rosewood (John Singleton, 1997) by Claire Dutriaux

“…Almost twenty years before Quentin Tarantino’s Django Unchained, African American film director John Singleton’s Rosewood (1997) told the violent racial history of the South during the Jim Crow era and the real suffering they experienced at the hands of Whites, via a combination of a western-style narrative with a black cowboy hero and a historical drama. …”
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Rendering swearing across cultures: arabic professional subtitles and fansubs of pulp fiction by Yousef Sahari

“…For this study, the film ‘Pulp Fiction’ (1994), written and directed by Quentin Tarantino, serves as a case study. A quantitative analysis was conducted to determine the frequency of swearing and the translation strategies used in the official DVD subtitles versus the internet fansubs. …”
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