Percutaneous Closure Device Controlled INCRAFT Stentgraft Implantation Registry (PUCCINI) by T. Engelen, R. Hoogervorst, K. DeLoose, L. C. van Dijk, R. S. van Eps, R. B. van Tongeren, H. T. Veger, L. Maene, W. Stomp, O. R. Wikkeling, S. J. C. Klink, W. van den Eynde, J. J. Wever, H. van Overhagen

“…The feasibility and safety of the use of the INCRAFT AAA Stentgraft System and the ProGlide vascular closure system was assessed. Methods The PUCCINI trial prospectively enrolled patients undergoing elective repair of infrarenal AAA at 3 centres in the Netherlands and 3 centres in Belgium. …”
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Polyphony and politics: Representing and translating culture, race and gender in Puccini’s Turandot by Benang Xuan

“… In the context of a more radical and critical climate of opera performance and audience response, this article investigates the representation and performance of Chinese-related images, characters and themes in various productions of Puccini’s Turandot, mainly those by Franco Zeffirelli, Zhang Yimou, Chen Kaige, Chen Xinyi and Robert Wilson, with particular reference to their English and/or Chinese surtitles. …”
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La traducción y difusión de la literatura hispánica en la Italia fascista by Adele Pia Villani

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LAS SINÉCDOQUES DEL PATRIMONIO VIVO DEL CENTRO HISTÓRICO DE BOGOTÁ. EXPLORANDO LA PRODUCCIÓN COMPARTIDA DE LA ESCALA by Manuel Salge ferro, Alessandra Puccini Montoya

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Aggressive Disease Course of Multiple Myeloma with Concomitant ALK-Negative Anaplastic Large Cell Lymphoma: A Case Report with an Unusual Presentation by Michela Staderini, Lara Mannelli, Elisabetta Antonioli, Benedetta Puccini, Valentina Berti, Francesco Mungai, Federica Vergoni, Valentina Carrai, Luigi Rigacci, Alberto Bosi

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Restoration of <i>Posidonia oceanica</i> Meadow Using Cuttings from an Area Impacted by Harbor Extension Project by Mario De Luca, Luigi Piazzi, Ivan Guala, Maria Francesca Cinti, Paolo Marras, Arianna Pansini, Federico Pinna, Alessandra Puccini, Antonio Santonastaso, Myriam Stelletti, Patrizia Stipcich, Vincenzo Pascucci

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“INTEGRITY, DISCIPLINE AND HUMBLE, CONSTANT HARD WORK – THESE ARE THE SECRETS OF A LONG AND SUCCESSFUL CAREER” by Adél FEKETE

“…Throughout her career, she performed many prima donna roles (such as Saffi in The Gypsy Baron by Johann Strauss II, Countess Liza in The Land of Smiles by Franz Lehár, Rosalinda in Die Fledermaus, Victoria etc.) and has achieved well-deserved recognition for her interpretation of Verdi’s heroines – Abigaille, in Nabucco, Leonora in Il Trovatore, Amelia in Un Ballo in Maschera, Amerlia Grimaldi in Simon Boccanegra as well as Lady Macbeth, but also for the roles of Micaëla (from Carmen by Georges Bizet), Santuzza (from Cavaleria Rusticana by Pietro Mascagni), Elisabeth (in Wagner’s Tannhäuser) or Puccini’s Tosca. Her talent was acknowledged both in Romania and abroad. …”
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