Duncan’s Open Form and Cagean Intermedia: The Practice of “Theatre” After Black Mountain by Edward Alexander

“…While the Fluxus and Happenings movements that emerged from Cage’s New School course rejected many premises Duncan retained as a “derivative poet” both the west and east coast variants of the post-Black Mountain vanguard were working through problems traceable to the institution’s final phase under Olson’s rectorship in 1952-53. …”
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