Schnittstellen zwischen performance und Analyse von Popmusik. Performative Produktionsprozesse in Pink Floyds Album Wish You Were Here und Jordan Rudessʼ Coverversion von Genesisʼ Dance on a Volcano by Hubertus Dreyer, Pascal Horn

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Radiohead et le rock progressif : histoire d’un malentendu by Michel Delville

“…In the mid-1990s, Radiohead entered the restricted circle of rock bands whose ability to carry out the creative synthesis of their era has earned them the enviable status of experimental group worshipped by large audiences, like the Beatles or Pink Floyd, to which they are (too) often compared. …”
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