De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre by Anne-Bénédicte Mérel-Brandenburg

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Fotografía, memoria y desaparición forzada de personas en Chile (1973-1990) by Juan Pablo Silva-Escobar

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Avatars de Napalm Girl, June 8, 1972 (Nick Ut) : variations autour d’une icône de la Guerre du Vietnam by Anne LESME

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Soi-même comme un autre : James Agee et l’écriture documentaire de soi by Adriana HABEN

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Gradient pooling distillation network for lightweight single image super-resolution reconstruction by Zhiyong Hong, GuanJie Liang, Liping Xiong

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Le renouveau de l’approche documentaire, exemple d’une archive collaborative : Susan Meiselas, Kurdistan (1991-2009) by Clara Bouveresse

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Photography and Archive Fever in Richard Kalinoski’s Beast on the Moon (1995) by Laurence Petit

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“Boring Photography”: American New Topographics, Socialist Boredom, and Post-Soviet Deadpan Photography by Victoria Musvik

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Issues of conservation and restoration of two photographic works by Zbigniew Dłubak: Onona and Desymbolisations by Monika Supruniuk

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Néantisation et lutte contre l’oubli : La représentation de la violence des conflits armés colombiens dans deux œuvres photographiques d’Erika Diettes, Río abajo (2008) et Sudarios... by Emmanuelle Sinardet

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Vers l’image aveugle : George Oppen et l’usage de la lumière by Xavier Kalck

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Esquisses d’une théorie onto-esthétique des médias by Charlotte Bolwin

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Fotografía y violencia, los límites de la representación by Diego Jarak

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Butterfly fauna (Lepidoptera: Rhopalocera) of Donji Emovci, Požega, Croatia by Toni Koren, Goran Letić

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La Revolución ilustrada: la guerra civil mexicana en la literatura juvenil by Marion Gautreau

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La valorisation des fonds photographiques, ou comment concilier le droit d’auteur et l’accès au patrimoine culturel by David Pouchard

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Outros olhares para outras Américas: cultura visual e fotografia na América Latina pós-tradicional by Sérgio Luiz Pereira da Silva

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Smartphone Photography to Communicate Science by Lisa K. Lundy

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La photographie comme processus performatif by Richard Shusterman

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FAIR Photos – Transforming a Collection of Two Million Historical Press Photos into Five Star Data by Leon van Wissen, Nico Vriend, Antoinet Nijssen, Lars Vereecken, Menno den Engelse

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