Surveying the original meaning of ‘Shadurvan’ by Maryam Haghi

“…Among the researchers and scholars in the Persian language background, Emile Benvenist, a French scholar believes that “Shadurvan” originally means the platform and the throne of the elders and kings, and has been derived from the Parthian language. …”
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Illustrating the eloquence and rhetoric of edification in Āshūrāī poetry (focusing on Āshūrāī poems of Yazd in the post-revolutionary period) by Mahdi Sadeghi

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Humorous factors and main types of humor by Ghahreman Shiri

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A Study on Sistani Satirical Proverbs by Fatemeh Elhami

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A Critique of Shabrangnameh: The Story of Rostam and White Demonś Son by Sajjad Aydenloo

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Methodology and Ethics of Citation A Critique on the Book Abd-ol-Hoseyn Zarinkoub’s Lectures of Literary Criticism by Alireza Mohammadi Kalesar

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Book Review of Ulum al Balaqa end al Arab wa al Fors (The Arab and Iranian Rhetoric Knowledge) by Yahya Ataei

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The Ambiguities of an Ambiguity-Reading: A Critical Reading of The Function of Ambiguity in the Process of Reading by Parsa Janbeh Saraie

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A Critique on “A Survey of Naturalism in Iran” by Foad Moloodi

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Plagiarism in Contemporary Literary Research: A Case of Academic Articles by Abbas Vaezzadeh

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A Critique on the Book Nargesi Abhari’s Divan Correction by Ali Jalali

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The "konj-e qana'at" is other than the "ganj-e qana'at" by Mohammad Pourhamdollah

“…Ahmad Mahdavi Damghani believes that in the Persian language, there is no combination called the konj-e qana'at and that what is printed in the literary texts, called konj-e qana'at, is originally the ganj-e qana'at; in his opinion, there is no relation between the words konj and qana'at; and the konj-e gana'at is a well-known misconception that was created owing to the inadvertent scribes and errors of the editors. …”
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Metacognitive monitoring in Mowlavi's couplet-poem (Mathnawi) by Monireh Taliehbakhsh

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A Critical Review on the Book The Rise of the Creative Genre in Iran by Maryam Sharifnasab

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Phonetic Motivation in 200 years era by شهلا شریفی, لیلا عرفانیان قونسولی

“…Afterwards, the results of these passages have been compared with results from considering 2800words of passages from200years before in order to answer this question that from past 200years, Persian language has been more motivated or vice versa. …”
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Is Every Theory about Photography a Critical Action? Looking at the Book “Photography: A Critical Introduction” by Mohammad Khodadadi Motarjemzadeh

“…Moreover, the translation of this book to Persian language is reliable. Every section of the book does not depend on another section, so every section can be regarded as a book. …”
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Sense and beauty bind in introduction of âJahangosha Joviniâ History by تورج عقدایی

“…Jahangosha Jovini`s history, originated from Atalolmolk Jovini, is a technical prose masterpiece in Persian language which is free from any ornate and tedious in comparison to other works such as Vassaf  (good describer) history. …”
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Thus Do the Great: A Critique on Sharh-e- Showq by Mohmmad Yousef Nayyeri

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Investigating the knowledge of Rhetorical in Shafiee’s lyric poems by Omalbanin Nikkhahe Noori, Mostafa Salari, Behrooz Romiyani

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The Qualitative Assessment of Arabic translation of Seirolebad Elalmaad based on Antoine Berman's theory by Ali Mohammad Moazzeni, Ali Ansarshahri, Ali Afzali, Masoud Fekri

“…The conclusion shows that the main reasons of deviation in Arabic translation from Seirolebad Elalmaad belongs to:  translator's lack of acquaintance to Persian language, the grammatical and lexical differences between Arabic and Persian and naturally it is resulting from the unconformity of culture, civilization, and tradition of these two nations.…”
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