Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

“…After a first career, with his brother William, in the aera of popular irish theatre, he tried to apply in the Abbey the vocal training of the “french model”, from Coquelin to… Sarah Bernhardt, and the Paris Conservatoire. A strange alliance thus took place between the poet, the actor, and a voice tradition seemingly very far from the “yeatsian utopia”. …”
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Le Musée instrumental du Conservatoire de Paris pendant la décennie Lang (1981-1993) by Florence Gétreau

“…Responding to its initial vocation as a "complete collection of instruments for our use, which by their perfection can serve as models", the Instrumental Museum of the Paris Conservatoire really opened up to instrument makers in 1961, when Geneviève Thibault de Chambure, its curator, founded a restoration workshop there. …”
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