Archetypal Critique of Iran Darroudi’s Paintings (Case Study: Adorned, Clear as Love, Prayer) by hossein ardalani, marina kheirollahzadeh varzi

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Pascal LABREUCHE, Guide historique des fournisseurs de matériel pour Artistes à Paris, 1790-1960 by Muriel Verbeeck-Boutin

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About the choice of tension for canvas paintings by Antonio Iaccarino Idelson

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Il cinema e la pittura (traduzione di Maria Teresa Badolati) by Michail Cechanovskij

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Framing Colonial Australia: A Socio-historical Articulation of the Display of Art by Anita Gowers

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« Certains lieux de la peinture », comme expérience ontologique, de révélation chez María Zambrano  by Camille Lacau St Guily

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T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose by John S. BAK

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In Sight of Mont Blanc: an Approach to Ruskin’s Perception of the Mountain by Laurence Roussillon-Constanty

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Etudes menées sur les sculptures d'Auvergne en bois polychromé by Marie-Blanche Potte, Dominique Faunières, Agnès Blossier, Lucretia Kargère

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Better Than the Real Thing: Processed Reality in Victorian Art and Fiction by Béatrice Laurent

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The conservation of a 19th century framed miniature portrait painted on ivory by Violeta Machado Prin

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L’enseignement de l’architecture à l’Académie royale de peinture, sculpture et architecture de Toulouse by Marjorie Guillin

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The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians by Philip Smith

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Twelfth and early thirteenth century polychromy at the northernmost edge of Europe: past analyses and future research by Kaja Kollandsrud, Unn Plahter

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Répertoires visuels, matrices narratives : spéculations astronomiques et science-fiction  by Irène Langlet

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Colour as an Art of Illusion in John Lyly’s Campaspe (1584) by Armelle SABATIER

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La Prise de Calais, une campagne de conservation-restauration épique ? by Olivier Verheyden

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“O’er-dyed blacks” (1.2.131) : les couleurs dans Le Conte d’hiver by Sophie Chiari

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‘Why is it that a photograph always looks clear and sharp, — not at all like a Turner?’ John Ruskin & Perceptual Aberration by Lawrence Gasquet

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The Differences in Understanding Hominized Being in the Art Philosophy of Šliogeris and Heidegger by Tomas Kavaliauskas

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