Twelfth and early thirteenth century polychromy at the northernmost edge of Europe: past analyses and future research by Kaja Kollandsrud, Unn Plahter

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La Prise de Calais, une campagne de conservation-restauration épique ? by Olivier Verheyden

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“O’er-dyed blacks” (1.2.131) : les couleurs dans Le Conte d’hiver by Sophie Chiari

Subjects: “…painting…”
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‘Why is it that a photograph always looks clear and sharp, — not at all like a Turner?’ John Ruskin & Perceptual Aberration by Lawrence Gasquet

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The Differences in Understanding Hominized Being in the Art Philosophy of Šliogeris and Heidegger by Tomas Kavaliauskas

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USE OF SODIUM ALUMINATE IN FOUNDRY PAINTS by O. S. Komarov, T. D. Komarova, A. N. Karas’, A. M. Nevmerzhitskiy, V. V. Trubchik, V. A. Konyakhin

Subjects: “…casting paints…”
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Peintures romaines antiques, restauration et falsification by Delphine Burlot

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Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle by Muriel Oiry

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The procedure of wax-resin linings by the painting restorers Johannes Albertus Hesterman (1848-1916) and sons by Saskia van Oudheusden

Subjects: “…painting…”
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Restoration of artworks in the Berlin royal picture collection between 1797 and 1830 by Robert Skwirblies

Subjects: “…painting…”
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The Trinity with Saints formerly Attributed to Jacopo Palma the Younger by Dóra Fekete, Judit Fiam, Edit Miko, Rebeka Tisla

Subjects: “…painting…”
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Standing at Cultural Crossroads: Erskine Nicol’s Representations of Ireland by Amélie Dochy

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Das artes tradicionais à economia criativa: a pintura indígena da Austrália e sua inserção no sistema das artes by Ilana Seltzer Goldstein

Subjects: “…australian aboriginal painting…”
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Art d’aujourd’hui, patrimoine de demain. Conservation et restauration des œuvres contemporaines by Muriel Verbeeck-Boutin

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La matière des images dans The Duchess of Malfi by Anne-Valérie Dulac

Subjects: “…painting…”
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Case Study of The Divine Shepherdess Painting by Megan Crouch

Subjects: “…painting…”
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Regard « spectral » sur la peinture britannique des XVIIIe et XIXe siècles by Laurent Châtel

Subjects: “…painting…”
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Structurer à l’étape de la retouche by Gaëlle Pentier

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La contribución del pintor Antonio Agudo al conjunto del Viacrucis de la Basílica del Gran Poder de Sevilla by Miguel Bastante Recuerda

Subjects: “…Agudo; art; painting; drawing; Via Crucis; Sevilla.…”
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L’Éloge du doute en Restauration des œuvres d’art by Ségolène Bergeon Langle

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