Ovid: Metamorphoses. From the Second Triad by Barbara Šega Čeh

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Publij Ovidij Nazon: Metamorfoze 10–12 by Joža Lovrenčič

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Ovid: Dido Writing to Aeneas (Heroides 7) by Polonca Zupančič

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actors associated with COVID-19 infection in southern province Rwanda, June 2020-January 2021 by Noella Benemariya, Frederic Ntirenganya, Edouard Ruseesa, Emmanuel Ntawuyirusha, Jared Omolo, Edson Rwagasore

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A rewriting of Pygmalion from a female (and feminist) perspective: «Galatea» by Madeline Miller. by Chiara Valenzano

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Ovidij: Metamorfoze 13–15 by Joža Lovrenčič

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The myth of Narcissus: Metamorphoses of medieval commentary by I. K. Staf

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Metamorfosi: note terminologiche by Michele Alessandrelli

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Demographic Factors Mediating Organizational Commitment and Safety Performance at Ovid Construction by Eshetie Berhan, Sisay Geremew Gebeyehu, Fekadu Geremew Gebeyehu

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Ovids Metamorphosen als politische Dichtung gelesen by Ulrich Schmitzer

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Editing the Translation of Ovid's Metamorphoses by Dr Joža Lovrenčič: New Evidence by David Movrin

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“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception by Pierre Iselin

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Zakopane Metamorfoze dr. Joža Lovrenčiča by David Movrin

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Allegorical images of Europe in some atlas titlepages, frontispieces, and map cartouches by Rodney Shirley

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Philomena de Chretien de Troyes: Métamorphose d’une métamorphose au temps du roman by Sylvia Roustant

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Efecto del ejercicio aeróbico sobre la capacidad cardiorrespiratoria en pacientes sobrevivientes de covid-19: metaanálisis by Hibsen Alonso Jiménez-Rodríguez, Gerardo Araya Vargas

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Pers. 3.39–43 and the Phalaris legend by V. V. Zeltchenko

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The ivory damsel is bored: changing female dynamics for the Ovidian Galatea in Michelangelo Antonioni’s "Identificazione di una Donna" (1982) by Sílvia Catarina Pereira Diogo

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‘The silent Arachnes that weave unrestingly in our Imagination’: The Industrial Metaphoric Web in Thomas Carlyle’s Sartor Resartus by Marie Laniel

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Violence, prophétie et apothéose dans les Fastes d’Ovide : d’Ino à Mater Matuta (VI, 475-550) by Justine Kaleta

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