Othello Syndrome Secondary to Ropinirole: A Case Study by Kakali Pal, Abigail Smith, Joseph Hayes, Apu Chakraborty

“…This case report describes a forty-two-year-old man with no previous psychiatric history who developed delusional jealousy (Othello Syndrome) associated with ropinirole treatment. …”
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L’Art du détour selon Shakespeare : les déviations de Troilus and Cressida, d’Othello et de The Tempest by Sophie Alatorre

“…I therefore propose to explore the deviations in three very different plays: Shakespeare’s Troilus and Cressida (1602), Othello (1603-1604) and The Tempest (1611). Keeping in mind that “to discourse” first meant “to run, move, or travel over a space”, today’s readers and spectators can still examine the twists and turns of seductive Shakespearean discourses pervaded by irregularities, amplification, irony and perversion. …”
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Desdemona’s changing voices: from the “Willow Song” to the “Canzona del Salice” by Chantal Schütz

Subjects: “…Othello…”
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Quantitative Trait Loci Analysis of Folate Content in Dry Beans, Phaseolus vulgaris L. by S. Khanal, J. Xue, R. Khanal, W. Xie, J. Shi, K. P. Pauls, A. Navabi

“…The folate content was examined in three large-seeded (AC Elk, Redhawk, and Taylor) and one medium-seeded (Othello) dry bean genotypes, their six F1 (i.e., one-way diallel crosses), and the F2 of Othello/Redhawk that were evaluated in the field in 2009. …”
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The French Actor on the London Stage: Charles Fechter by Catherine Quirk

“…The American critic Henry Austin Clapp describes him as ‘a master of the exterior symbolism of the histrionic art’, and the actor’s own annotations to his acting copy of Othello reflect the focus he placed on the development of his character through gesture, posture, movement, and other superficial markers. …”
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Green Worlds: Shakespeare’s Plays and Early Modern Imagery by Anne-Marie COSTANTINI-CORNEDE

“…If Iago’s famous words to Othello defining jealousy as “the green-eyed monster” (3.3.170) clearly associate green with bilious envy, Cleopatra’s reference to her “salad days” (Antony and Cleopatra, 1.5.72) tends to equate ‘greenness’ with fresh innocence. …”
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