Deconstructing opera for opera’s sake: an interview with Opera Queer (Argentina) by Jazmín María Tiscornia, Giselle Araceli Méndez

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Òpera i educació superior Opera and higher education Ópera i educación superior by Enrique Fuentes Goyanes, Jordi Sol�� Blanch

“…A propòsit del projecte «Òpera Oberta» de la temporada 2006-2007 del Liceu, en aquest article farem una anàlisi de la categoria artística de l’òpera i la seva importància social en l’educació superior. …”
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Controversies of the Mai 68 Opera in Philosophical Contexts of Actual Opera Production by Cseres Jozef

“…In his paper, the author reveals the poetical controversies of the Mai 68 opera (2008) by Petr Kofroň, Zdenek Plachý and Jiří Šimáček as well as its controversial reception by Czech opera critics. …”
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Deconstruyendo la ópera para que no muera: entrevista a Ópera Queer by Jazmín María Tiscornia, Giselle Araceli Méndez

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OPERA AND FILM – AN UNLIKELY MARRIAGE by Julianna KÖPECZI

Subjects: “…opera…”
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Singability and Naturalness in Opera Translation by Alaz Pesen

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Ján Zavarský’s Opera Scenographies by Hrdinová Radmila

“…The present study aims to describe the work that Ján Zavarský, one of the most prominent contemporary Slovak scenographers, has done for musical theatre, mainly opera. The author draws on her years of experience as an audience member, production recordings, photographs, scene designs, and other documentation. …”
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Peter Konwitschny, Opera and Theatre Director Shaping the Profile of the Bratislava Opera of a New Millennium by Mojžišová Michaela

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Review of "Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age" (Megan Steigerwald Ille) by Estela Ibáñez-García

“… Review of Megan Steigerwald Ille, Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age, University of Michigan Press, 2024. 308 pp. …”
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Jin Opera Huhu: A Critical Sound Analysis of Cultural Representation in Conventional Jin Opera by Guanzhou Li, Ahmad Faudz bin Musib, Noris Mohd Norowi, Pan Jian

“…A comprehensive acoustic analysis was carried out for the huhu, a betelwood instrument from the Jin opera. Techniques included an acoustic visualiser and Fast Fourier Transform (FFT). …”
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Mythological Elements in 21st Century Turkish Operas and the Relationship Between Opera-Mythology-Sustainability by Sultan Ayça Sungur, Başak Gorgorettı

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Artists' Perception of Management in Opera Theaters and Opera Theater Performance During the COVID-19 Pandemic by Aurora Eleonora TWAROWSKI, Nicolae BIBU, Laura BRANCU

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Types of the modern opera house management. The producer-type repertory theater (on the example of Ural Opera Ballet) by Andrey G. Shishkin

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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How can contemporary opera contribute to the discussion on gender roles? The case of comic-strip opera Alpha by Murauskaitė-Juškienė Rasa

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Opera and british nationalism, 1700-1711 by Thomas McGeary

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The Study of the Proscenium Area in an Opera House by Anna SYGULSKA, Krzysztof BRAWATA

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L’Opera Bonomelli en guerre. by Pierre-Louis Buzzi

“…These unexpected and hasty movements were made possible by the crucial support of various public and private institutions, including the Opera Bonomelli. This association, which had been established a few years earlier, was operating in a large number of emigration countries and in Italy. …”
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Bilancio Sociale 2024 - Opera Cooperativa by Mauro Platè

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L'Opera di Eliseo Reclus. by Aldo Blessich

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