De la Mer du Nord à la Méditerranée, l’imaginaire maritime des Victoriens by Béatrice Laurent

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Bodies in Agony: Classical Sculpture and Violence in Herman Melville's works by Ronan Ludot-Vlasak

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Gretchen G. Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky, New York: Oxford University Press 2011 / Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–25), New York: Oxford University Press 2014 by Hans Peter Reutter

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Vision of Nikolograd. The endgame by Елена Багина

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Mozart, Ravel, die imperfizierte Kadenz und die perfekte Melodie. Zwei Melodien aus Mozarts Klarinettenquintett KV 581 und Ravels Klavierkonzert G-Dur by Hans Peter Reutter

Subjects: “…Lars Ulrich Abraham; Äolische Kadenz, Aeolian cadence; Carl Dahlhaus; Fortspinnungstypus; Christoph Hohlfeld; Klavierkonzert, piano concerto; Klarinettenquintett, clarinet quintet; Wolfgang Amadeus Mozart; Neoklassik, neoclassicism; Maurice Ravel;…”
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Le Butard et la Muette : deux pavillons de chasse d’Ange-Jacques Gabriel pour Louis XV by Marie-Marguerite Roy

“…Here, First Architect to the King Ange-Jacques Gabriel shows, from 1750, the first manifestations of his style, the premise of neoclassicism. While the two lodges, during the Ancien Régime, perfectly met the needs related to the practice of hunting, an activity inseparable from the exercise of power, their usefulness was confirmed by the successive regimes of the nineteenth century.…”
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THE MOTHER GOOSE PIANO SUITE - AN AESTHETIC PARADIGM OF RAVEL’S MUSIC by Attila FODOR

“…Composed in his impressionistic period, these musical tales reflect the composer’s dialog with several contemporary trends, like symbolism, neoclassicism or futurism, trends manifested as distinct periods of his output. …”
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