« Et ils ne vécurent pas heureux » : la fin de Jane Eyre réécrite dans Charlotte de D.M. Thomas by Armelle Parey

“…In order to challenge the narrative and ideological hierarchy of the source text by rewriting its ending, the pastiche defamiliarises it while some chapters set in 1999 move the limits of rewriting and take the reader into a narrative spiral.…”
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Quelle(s) singularité(s) des imaginaires urbains de la fiction climatique au cinéma ? by Pierre‑Jacques Olagnier

“…Are these imaginaries radically different from the most common representations of urban spaces in science fiction narratives? The analysis of the still limited place of climate fiction in cinema, followed by an examination of the use of urban representations in a corpus of science fiction films, both within and outside the cinematic narrative, shows that there does not seem to be a radical break between the urban imaginaries of Cli‑Fi and those of science fiction in general.…”
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L’influence de la fiction américaine sur le récit télévisuel français du débarquement de Normandie by Muriel de la Souchère

“…Taking into account the various televised narratives of the event over the past 50 years, she raises the question of the impact of these films, both in terms of content and form, on these narratives. …”
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Miracle et espace social au village nahua de La Esperanza, Mexique by Anath Ariel de Vidas

“…The story of a miracle on the mountain near the Nahua village of La Esperanza, in the Veracruzan Huasteca in Mexico, constitutes the only narrative offered in this village on the subject of its foundation. …”
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Postrzeganie dziecka przez wychowawcę w żłobku by Lucyna Telka

“…Charmaz allowed, during the coding of data, to ask the question of what is the representation of the child in the narratives of the educators in a situation of play and organized activity. …”
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Houellebecq à l’encontre ou au centre de l’utopie ? Une analyse de l’ambivalence utopique dans La Possibilité d’une île by Françoise Campbell

“…Torn between present and future worlds, and narrated by diverse and often antagonistic voices, Houellebecq’s narratives manifest an attraction towards other worlds. …”
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Isabella Bird’s Unbeaten Tracks in Japan ou le récit de voyage comme autoportrait d’une aventurière engagée by Floriane REVIRON-PIÉGAY

“…The epistolary form of her narrative proved an ideal medium to engage her readers’ attention, sustained throughout the book by the author’s pledge to deliver novelty and adventure. …”
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“I just want to be the friendly face of national socialism” by Askanius Tina

“…This article is based on a case study of the media narratives of the neo-Nazi organisation Nordic Resistance Movement (NRM) and situates this particular actor within the broader landscape of violent extremism in Sweden today. …”
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Stories of Water/Storied Water: Agential Realism and New Thalassology in the 21st-century Literary Classroom by Jasmine Sharma

“…In conclusion, the article hopes to academically sacralize water as a medium of planetary commitment endowed with the agency to narrate its story of dispossession and render itself resilient to vulnerability and misuse.…”
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Naître vers la fin : circularités dans Alumbramiento de Víctor Erice by Miguel Rodrigo

“…In a filmography where the narrative is often greatly weakened in favour of a direct representation of time, Alumbramiento is an exception : here the narrative, acting like a veritable explosion engine, by virtue of its force relegates time to its classic status as a measure of movement. …”
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Reading “Guillelme l’Amïable”: Hypertextuality and La Prise d’Orange by Lucas Wood

“…In Genettian terms, the Prise’s dominant hypertextual operation is travesty, which burlesques a prestigious text or story by recasting its characters and action in a ridiculously incongruous style—here, the narrative and rhetorical style associated with courtly discourse. …”
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Shifting Geological and Literary Lines in H. G. Wells’s The Island of Doctor Moreau and Joseph Conrad’s Lord Jim: A Geoliterary Approach by Julie GAY

“…Crossing these rifts may then result in a shift in genre, or at least in narrative rhythm and style. As the hero is put to the test, these spatial chasms sometimes reveal and even mirror the fault lines in his very identity, but also in the homogeneity and consistency of the narratives. …”
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Modernism’s Zoo (Pet and Pen in Virginia Woolf’s Flush) by Frédéric Regard

“…Its aim, however, is to go beyond the Deleuzian approach that seems to have prevailed so far, according to which Flush is a narrative of the becoming-animal of the artist. The central argument here is that Woolf’s narrative gesture in fact remains profoundly human even as it is paradoxically threatened by its own animality from within. …”
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On tenses as speech-act-level functions by Patrick Caudal

“…The paper then discusses synchronic, discursive evidence supporting the view that the NIMPF actually indicates a partial, discourse-structurally incomplete, ‘ongoing’ narrative act. From these two facts, the paper concludes that NIMPF utterances refer to imperfectively viewed narrative speech act events, and constitute a separate speech act-level conventionalized reading of the imparfait, applying an imperfective viewpoint meaning to relational speech act functions, i.e., to rhetorical relations. …”
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Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Def... by Anne Marieke van der Wal

“…The cinematic representation of Apartheid, and in particular the tendency of using white protagonists to narrate the story of black suffering, has been the object of much scholarly enquiry but this has never included Dutch films. …”
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ISHMAEL, THE QUR’?N, AND THE BIBLE by S.G. deClaissé-Walford

“…nic Isaac and Ishmael narratives from the perspective of academic curiosity to determine the grounds for, and the validity of the Islamic claim. …”
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L’énigmatique religion de Lazare de Tormès by Philippe Rabaté

“…The famous narrative Lazarillo de Tormes was first published anonymously in 1553 or 1554. …”
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Ana y el Rey o las virtudes de la elipsis en Crónica sentimental de la transición, de Manuel Vázquez Montalbán by Georges Tyras

“…Thanks to these two features, a sceptical or sarcastic outlook on the narrated events, incidents or attitudes is established. …”
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A testemunha e a memória. O paradoxo do indizível da tortura e o testemunho do desaparecido by Castor M.M. Bartolomé Ruiz

“…The victim¿s testimony grows in a new political event that narrates the dark side of the violence, denied by the politics of forgetfulness about the victim and winners. …”
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Semiotics, semiology and film by Keyan Tomaselli

“…Whereas Metz's theory of signs can only take account of narrative cinema, the extention of Peirce's theory proposed here is able to account for all types of cinema from narrative to abstract. …”
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