L’enseignement de l’histoire et la conscience citoyenne des élèves au Québec by Marc-André Éthier, Jean-François Cardin, Jean-Pierre Charland

“…It also discloses the preliminary results of a research project concerning the links that exist between history teaching (seen equally as an official narration and as a pool of research techniques) and conceptions expressed by young Québécois, both native and immigrant, relating to history and citizenship.The article is two-fold. …”
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Les cheveux de sainte Thérèse, ou le sacré comme dispositif by Marie Caillat

“…The objective of this research is to understand how the devices used to exhibit relics and the narration of the biographies of saints can produce both object and subject – souvenir, relic or saints – as well as thought, for example, of death.…”
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Ditadura militar e literatura “parajornalística”: desconstruindo relações by Sabrina Schneider

“…It is understood that, in their appreciation of these works, academic literary critics considered only the impact of national political situation – the military dictatorship –, taking up these narratives as mere substitutes for censored newspapers. …”
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Narración y relatos sobre los vencidos en el medio digital by Francisco Sevillano

“…Thus, the public use of history around the identity of the victims, their memory and legal reparation is expressed in a new narration «from below» about the recent past of Spain.…”
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Palabras nómadas by Fernando Aínsa

“…The new Latin-American narration reflects the importance of such figures as exodus and exile, and kindles the «nomadic condition», the notions of uprooting and «cultural runaway», the «migratory artist», as elements of identity in the globalization processes. …”
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La bibliothèque dans Buffy contre les vampires : grimoires et merveilles by Vanessa Bertho

“…Lieu de savoir, espace de narration et même personnage à part entière, son importance est aussi bien qualitative que quantitative. …”
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The Stanley Parable : le joueur contre le narrateur by Douglas Hoare

“…L’expérience interactive du jeu vidéo permet à tout joueur de concourir à la narration de sa partie. D’un jeu vidéo à l’autre, le dispositif lui laisse une certaine latitude dans la mise en scène des événements et dans leur déroulement. …”
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Des métamorphoses de l’aura by Alain Naze

“…Si le cinéma n’est certes pas appareil de narration, son esthétique du choc semble malgré tout compatible avec des modalités rénovées du récit, et d’abord avec des modalités assumant le fait que tout effet de naturalité doive dériver d’un surcroît de technique. …”
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Art Spiegelman : de l’outrenoir à l’outrebiographie dans In the Shadow of No Towers by Yves DAVO

“…The “beyond black” cover of that post-9/11 narration will eventually appear not only as revelation but as a way to resist.…”
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Incertezza e cambiamento climatico nell’era dell’Antropocene by Elena Bougleux

“…Climate change appears as a major driver of identity crisis, affecting changes at local and global level in terms of spaces, security, livelihood and weather. The prevailing narration on climate change describes unfamiliar scenarios struck by exceptional events, that rarely can be connected with personal experiences. …”
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Komizm w poezji dla dzieci. Jego rola i wartość edukacyjna by Kinga Kuszak

“…The author begins her reflections with a clarification of the ideas that form the focus of her narration: comedy, humour, and word play, referring to selected works on the subject. …”
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A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert by Franck Dalmas

“…If we want to consider Madame Bovary as an innovative work of art it is crucial to visualize Flaubert’s narrative strategy. The scholarship of Madame Bovary on film has scrutinized the many adaptations and how to relate them to the writing technique. …”
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A escrita comovida de João Anzanello Carrascoza by Miguel Conde

“…The impassible narration, which, in its indifference, emulates the brutality of the episodesit describes, is an essential feature of the most noted Brazilian fictions of the 1990s. …”
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Faire tourner Paris : ethnogénétique et logogénétique de Nana de Zola by Sophie Ménard

“…Picking up a common belief, the dangerous force of menstruation, the “avant-textes” renew and integrate in the narration the folkloric imagination of feminine physiology, in particular women’s “red period”. …”
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What Hitchcock Taught Us about Whodunnits by Dominique Sipière

“…Whodunnits follow a strict pattern of double narration (the inquest strives to recreate the hidden story of the crime) and of a double “game” (the “author” challenges the reader and the characters keep challenging each other). …”
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Intrusion et exclusion dans les romans politiques de Trollope by Laurent Bury

“…While Trollope multiplies the metaphors expressive of social exclusion, the narration itself seems to open itself to the reader so as to include the reader within the writer’s laboratory.…”
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Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali by Maria Rosa De Luca

“…The focus is on the construction of historical knowledge, a crucial issue for the modes of historiographical narration. In this context, the analysis of teaching-learning procedures in music history extends to the music museum, understood as a space dedicated to promoting the learning of music history knowledge through innovative teaching approaches. …”
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Michel Jeury et l’écriture du temps by Natacha Vas-Deyres

“…L’écriture de ce temps mentalisé porte l’influence de la physique quantique qui fait éclater la narration et rend le temps indéterminé. Ces procédés accompagnent la dénonciation de systèmes totalitaires, tout en remettant en cause le temps historique. …”
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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

“…Whether it be the ringing of church bells, the continuous humming of Binet’s lathe or the lowing of cattle (to mention only a few of the numerous sounds evoked in the novel), the music of daily life in the provinces is an integral part of the narration.  Theoretically, there is nothing easier for the filmmaker than to reproduce on the screen this sonorous mimicry of the realist text. …”
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Rendre la parole. Quand les victimes mettent en récit les violences sexuelles dans l’Église catholique by Romaine Girod

“…It shows that the autobiographical form produces a space within which authors reappropriate the narration of their experience and position themselves as epistemic subjects – a capacity they have often been denied. …”
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