Dissections in Phoebe Gloeckner’s A Child’s Life (1998, 2000) by Hélène Tison

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Tentes et rails. Les « jeunes » du Sud tunisien entre chômage, attente et protestation by Stefano Pontiggia

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Topique et focus discursifs locaux chez les enfants et les adultes hongrois by Gabriella Fekete

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La géographie du collège à l’épreuve des récits by Jean-François Thémines

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Deus escreve certo por linhas tortas. A estética caipira de Santo Antônio e a vaca by Célia Tolentino

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From Prose to Picture: Critical Reflections on the Road and the Journey in John Steinbeck’s and John Ford’s The Grapes of Wrath by Beatrice Melodia Festa

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A Phenomenology of Closed Society in “The Drowned Girl” by Antanas Vienuolis: Anthropological Profiles by Jūratė Levina

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Narraciones andinas coloniales. Oralidad y visualidad en los Andes by José Luis Martínez C., Paula Martínez S.

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Darwin : The Voyage of the Beagle : un ouvrage palimpsestique by Anne-Laurence BARKATE

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Traumatic Peregrinations: Intergenerational Memory and Migration in Nina Bunjevac’s Fatherland by Anastasia Ulanowicz

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Pedagogical responsiveness: Focus on the Ukuqonda institute’s mode of engagement in mathematics by Satsope Maoto, Manare Setati, Gabriel Mphuthi

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Présence du végétal dans The Golden Apples de Eudora Welty by Jean-Marc Victor

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The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and Esfandiar by Ghodsieh Rezvanian, Reza Sattari, Maryam Ghorbanian

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Voir l’espace et dire le temps : le grand écart du discours esthétique victorien by Laurent Bury

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THE SELF IN THE WORLD: OVERCOMING CLASSICAL DUALISM AND SHAPING NEW LANDMARKS by U. I. Lushch

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Producing the Popular: John Monk Foster and the ‘Industrial Romance’ by Michael Sanders

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Récits et expériences du paysage urbain historique de Porto, ville inscrite au patrimoine mondial de l’humanité by Ana Rita Albuquerque

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THE LANGUAGE OF LUCK: AN EXPLORATION INTO MEDIA DISCOURSE ON GAMBLING IN ROMANIAN NEWS OUTLETS by Alexandra-Teodora BERZOVAN, Ioana NEDELCU, Andreea Alina MOGOȘ

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A. J. Greimas in Jakarta: Essay on Story Structure by Richard Skinner

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“But lo the thing’s inside and can you guess his shape?”: the semiotic elaboration of Cormac McCarthy’s autotextual creature in his early novels and No Country for Old Men by Yvonne-Marie Rogez

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