New media in the education of children with and without disabilities from the perspective of the knowledge and actions of their parents by Justyna Siemionow

“…A larger picture of this phenomenon emerges from the narrative of adults raising children with disability degree certificates, which points to the need to equalize opportunities and to keep pace with able peers, but creates many difficulties, including the already difficult process of educating children with developmental disorders. …”
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Cross-case synthesis by Sian Sullivan, Michèle Baussant, Lindsey Dodd, Olivette Otele, Irène Dos Santos

“…These personal biographical experiences have tended to find themselves on the margins of national and/or academic historical narratives. In this final paper of our Special Issue we share the open-ended process of co-production, cross-case learning, and synthesis that accompanied case research, focusing especially on our systematic cross-case engagement, which involved sharing and theorising content and experiences across our case-studies, and the commonalities and differences we identified across our case-studies through this process. …”
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De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ? by Stéphane Baquey

“…Le Fou d’Elsa, a narrative poem published by Louis Aragon in 1963, tells the story of the end of the emirate of Granada in 1492. …”
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Écrire aujourd’hui à Rabat et à Casablanca : Témoigner et « laisser trace » by Anouk Cohen

“…This article analyses the meaning of these practices and their implication for understanding the extent to which these imply a redefinition of the relationship, on the one hand, between society and its recent past, and on the other hand, between society and its popular narrative.…”
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« Récupérer le sexe qui m’a été volé » : la sexualité comme affirmation de soi chez Asaka Yûho by Anne-Lise Mithout

“…The text, written from an activist’s perspective, intends both to condemn social barriers weighing upon disabled people’s sexuality in Japan, and to narrate the author’s individual struggle for romantic and sexual fulfillment. …”
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Los nahuas de Tzintzuntzan-Huitzitzilan, Michoacán: historia, mito y legitimación de un señorío prehispánico by Hans Roskamp

“…The latter frequently established a direct relation with the population of Michoacán in narratives about origin, migration and foundation of their own señoríos. …”
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Une « drôle de guerre » à l’écran : Khalkhin Gol by Alexandre Sumpf

“…Under the misleading appearance of a linear narrative, there is thus a complex mechanism that uses all the weapons developed by Soviet film propaganda from the previous two decades – in vain, it seems, since the film finally remains "on the shelf", considered inappropriate in 1940 when the "Strange peace" settles in the East of Europe.…”
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« Petits poèmes en prose » : la forme poétique dans Tess of the d'Urbervilles by Isabelle Gadoin

“…Alongside with awkward passages when the narrator launches into abstract meditations against morals, society or fate, other moments can be found in his novels when the author briefly seems to forsake any concern for realistic description, and to suggest instead enchanted instants of communion between his characters and the world of nature, which transfigure the whole of perception. …”
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“The Enchanted Hunters and the Hunted Enchanters: the dizzying effects of embedded structures and meta-artistic devices in Lolita, novel and film” by Marie Bouchet

“…This paper explores some of the various mises en abyme and metatextual devices in Nabokov’s and Kubrick’s Lolita, so as to explore how such devices create a poetics of reflections, and themselves reflect the manner in which the relationship to the reader/spectator is engaged by the literary and filmic narratives. As underscored by Lucien Dallenbach, internal duplications or self-reflexive devices are double-layered: they serve a purpose in the fictional universe, and have a reflexive function aimed at disclosing one of the text’s components. …”
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The Nation’s ‘Other’ Housing Project by Zihao Wong

“…Singapore’s privatised high-rise housing landscape is the nation’s ‘other’ housing project, emerging alongside the city-state’s dominant narrative of its successful public housing project since the 1970s. …”
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Theorizing American Studies : German Interventions into an Ongoing Debate by Sabine Sielke

“…This essay relates a—necessarily reductive—narrative about how, throughout its history, German American Studies has intervened into and contributed to these debates; and how, with the emergence of parameters and politics of difference, on the one hand, and poststructuralist thought and notions of différance, on the other, the early debate on methods of American Studies transformed into discussions of theories of American literature, culture, history etc. …”
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LA TEORÍA QUEER Y LAS NARRATIVAS PROGESISTAS DE IDENTIDAD by Mariela Nahir Solana

“…Para eso, consideraremos algunas objeciones que aparecen en el libro Second Skins: the Body Narratives of Transexuality de Jay Prosser. En particular, examinaremos su crítica a Judith Butler y Jack Halberstam, con el fin de extraer algunas conclusiones que den cuenta de la relación intrínseca que existe entre la estructura narrativa de las teorías de género y la valoración del grado de autenticidad y transgresión de las identidades de género.…”
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Investigating Moral Injury: Thinking Beyond the Law-Conscience Binary by Catherine Yanko

“…Instead, she proposes a theology of depression that makes use of narrative-phenomenological portraits and draws new insights on what Christian discipleship means in the context of depressive suffering. …”
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“Gente-grande”: denúncia da pequenez dos adultos by Juracy Assmann Saraiva, Ernani Mügge

“…The communicational structure in “Gente - grande” and its narrative strategi es lead the reader to share the character’s drama, due to the conflictive divorce of their parents. …”
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Lisibilité de l’histoire et (in)visibilité des corps violentés dans Sir Thomas More by Nicolas Thibault

“…Official history makes some forms of violence visible, even spectacular, while erasing others from its narrative. Moreover, this framing, which is particularly present in language, tends to hide the concrete and physical effects of such violence on bodies. …”
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Modernism and Muddle: Religious Implications of T. S. Eliot’s Use of the Term by Anna BUDZIAK

“…This paper, in trying to outline Eliot’s wrestling with the term modernism between 1926 and 1933 – a narrative inferred from his side remarks, personal comments and little jibes – shows that to T. …”
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Dietary Glycaemic Index and Type 2 Diabetes Mellitus: Potential Modulation of Gut Microbiota by Hanusha Durganaudu, Thubasni Kunasegaran, Amutha Ramadas

“…In this review, we have narrated the available evidence and discussed the current knowledge about diet manipulation associated with dietary GI in order to shape the gut microbiota. …”
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The Brexit Vote and The Trump Vote: A comparative study of the common trends and factors that led to a populist radical right vote in Britain and the United States by Laëtitia Langlois

“…Thus, with the Brexit and Trump victories, fringe narratives became mainstream politics and upset the established political order. …”
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La distanciation dans l’œuvre régionaliste de Grant Wood comme moyen de mise en échec du nationalisme by Kamila Benayada

“…While Wood empathises with his countrymen, he also introduces elements within the narrative, and aesthetic elements, that contradict his acceptance of the dominant discourse. …”
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2000-2015 : un âge d’or du format webdocumentaire by Michaël Bourgatte

“…Dozens of projects were launched, especially between 2000 and 2015, renewing the documentary film genre thanks to the potential of digital technology and the Internet: the presence of text, graphic elements, and a whole range of services and options that allow the emergence of delinearized, sliding or playful narratives. However, from 2015 onwards, the web (or interactive) documentary will experience a clear downturn, which can be explained in several ways: it is technically difficult to create, share and archive; its content is generally serious or scholarly, which distances it from the commonly playful nature of cinema, but also from the most widespread uses of the web, which are essentially recreational; audiences sometimes have difficulty in understanding the proposals made to them; finally, with no economic model and therefore no commercial perspectives, funders will gradually begin to distance themselves from web (or interactive) documentaries…”
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