Review of An Introduction to Atonal Music Analysis by Mohammad Reza Azadehfar

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Popular Music Analysis in American Music Theory by Jocelyn Neal

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“MEDITATIONS” FOR CLARINET SOLO BY VALENTIN TIMARU - MUSICAL ANALYSIS by Cristian BENCE-MUK

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Exploring Malaysian Music: Analysis of Berlagu Semalam by Alwagera by Md Jais ISMAIL, Amanina Alwani BADARUDDIN

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Musical Analysis of Agustín Pio Barrios Mangoré’s Masterpiece “La Catedral” by Mehmet Görkem Bilgütay, Burak Sağırkaya

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Gestalt theory on principles of musical construction and analysis by Surwd Fouad Mohammed, Nasser Hashim Badan, Dlawer Mustafa Mohammed

Subjects: “…Gestalt, form, construction, musical analysis.…”
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VIII. European Music Analysis Conference (EuroMAC), Leuven, 17.–20. September 2014 by Hubertus Dreyer, Nathalie Meidhof

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VII. European Music Analysis Conference (Euromac), Rom, 29. September bis 2. Oktober 2011 by Felix Diergarten

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An Accent-Based Approach to Automatic Rendering of Piano Performance: Preliminary Auditory Evaluation by Erica BISESI, Richard PARNCUTT

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Dora A. Hanninen, A Theory of Music Analysis. On Segmentation and Associative Organisation, Rochester: University of Rochester Press 2012. by Oliver Schwab-Felisch

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“THEME OF THE STAR AND THE CROSS” – CHRISTIAN SYMBOLS IN OLIVIER MESSIAEN’S “VINGT REGARDS SUR L’ENFANT-JESUS” by Raluca RAD

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ANALYSING SCHOENBERG’S PIANO PIECES OP. 19: HISTORY AND METHODOLOGY by Martin EYBL

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An Âşık at the “Kırklar Kapısı”: Davut Sularî by Çetin Erdem Usanmaz

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Ciro Scotto / Kenneth Smith / John Brackett (Hg.), The Routledge Companion to Popular Music Analysis. Expanding Approaches, New York: Routledge 2019 by Max Alt, José Gálvez

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THE SYMBOLISM OF NIKOLAI MEDTNER'S «FAIRY TALES» ON THE EXAMPLE OF «FAIRY TALES» OP.8 NO.1 by Kharlamova Tatiana Valeryevna

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EXPLORING MALAY ART SONG: A MUSICAL AND TEXTUAL STUDY OF KORBAN TANAH AIR BY YUSRAN YUSOFF by Khairunnisa Diyana MD NOOR, Marzelan SALLEH

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»Interpretation« – VII. Jahreskongress der Gesellschaft für Musiktheorie und 6th European Music Analysis Conference, Freiburg 11. bis 14. Oktober 2007 by Verena Weidner

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STRUCTURAL AND STYLISTIC FEATURES OF URAN AKATAYULY'S KUYS (EXAMPLES FROM "MEREKE", "SANLAQ", AND "QANAT QAQTI") by Saida Yelemanova, Lazat Akikhat

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DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

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L’organizzazione dello spazio sonoro della polifonia rinascimentale: un precoce caso di ‘presentismo’ nella storia della musicologia? by Daniele Sabaino

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