Zoltán Kodálys Harmonielehre – ein Rekonstruktionsversuch by Anna Dalos

“…In 1907, at the age of 25, Zoltán Kodály began teaching music theory and composition at the Budapest Academy of Music. …”
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Das Hören sehen lassen . Anregungen zu Kulturtheorie und Geschichte musiktheoretischer Graphiken by Burkhard Meischein

“…Graphic representations play a major role in music theory and have so far hardly received adequate attention. …”
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Zygonic Theory: Introduction, Scope, and Prospects by Adam Ockelford

“…Finally, zygonic theory prospectively offers an epistemological link between the sister (though sometimes apparently incompatible) disciplines of music psychology and music theory – an avenue that is explored briefly in conclusion.…”
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Optimization of Music Feature Recognition System for Internet of Things Environment Based on Dynamic Time Regularization Algorithm by Hong Kai

“…Because of the difficulty of music feature recognition due to the complex and varied music theory knowledge influenced by music specialization, we designed a music feature recognition system based on Internet of Things (IoT) technology. …”
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IoT-based approach to multimodal music emotion recognition by Hanbing Zhao, Ling Jin

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Hugo Kauders Skalentheorie in seinem Entwurf einer neuen Melodie- und Harmonielehre (1932), konkretisiert anhand einer Melodieanalyse seiner Kleinen Suite für Bratsche allein (1924... by Clara Maria Bauer

“…This article provides an introduction to Hugo Kauder’s scale theory as part of a history of music theory in the 1920s and 1930s. In Entwurf einer neuen Melodie- und Harmonielehre (1932) Kauder states his views on the formation of scales and melodies built up on the ideas of a dualistic and teleological worldview. …”
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Praetorius’ Polyhymnia caduceatrix (1619). Diatonische Logik und Skalenlogik in mehrchörigen und konzertierenden Werken des Frühbarocks by Christophe Guillotel-Nothmann, Anne-Emmanuelle Ceulemans

“…Therefore, harmonisation rules derived from 17th and 18th century music theory are confronted with a computer-assisted analysis of the ConcertGesänge. …”
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Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung by Markus Neuwirth, Martin Rohrmeier

“…The article concludes by making a case for the integration of quantitative approaches in music theory into the overarching framework of a ›mixed methods‹ paradigm.…”
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The Americanization of Arnold Schoenberg?. Theory, Analysis, and Reception by John Covach

“…This article surveys the reception of Arnold Schoenberg’s theoretical ideas in English-language music theory, with a primary (though not exclusive) focus on their reception in the United States. …”
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Handschins ›Toncharakter‹. Plädoyer für einen neuen Anlauf, ausgehend von neueren musiktheoretischen und kognitionspsychologischen Untersuchungen zu den tonalen ›Qualia‹ by Thomas Noll

“…Handschin’s ideas are not reflected within the contemporary approaches of cognitive psychology (David Huron 2006) and music theory (Steven Rings 2011), which are dedicated to the task to empirically or phenomenologically understand the subjective content of the mental experience of musical tones – their ›scale degree qualia‹ or ›tonal qualia‹. …”
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»Schließlich waren alle Genies der Kunst immerhin doch Männer …«. Zum Geniebegriff bei Heinrich Schenker by Marko Deisinger

“…In his 1995 dissertation on the development on Heinrich Schenker’s music theory in relation to the history of ideas, Martin Eybl demonstrated that the concept of Urlinie developed in relation to political ideas and assumed a paradigmatic function in the context of political upheaval after World War I. …”
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“… because there is nothing symbolic in the described phenomenon”. Asafyev’s Intonation Theory in the Early Soviet Union – Analytical Insights, Intellectual Contexts, and Semiotic... by Patrick Becker-Naydenov

“…Asafyev (1884–1949) in 1920s European musicology and music theory. Based on the underlying principles of Asafyev’s intonation theory “contrast and repetition,” etc.) and its analytical insights into cadence models, Western scholars have often read it as a continuation of the energeticism and dynamism proposed by August Halm and especially Ernst Kurth. …”
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Popular Song Composition Based on Deep Learning and Neural Network by Jun Kuang, Tingfeng Yang

“…Then, the neural network model is constructed, using the memory function of the cyclic neural network and the characteristics of processing sequence data, the piano notes are combined into a sequence according to the musical theory rules, and the neural network model automatically learns this rule and then generates the note sequence. …”
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