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    Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto by Eduardo Valls Oyarzun

    Published 2017-11-01
    “…The status of George Bernard Shaw as an opera critic—a position he filled under the pen-name ‘Corno Di Bassetto’ in different periodicals such as The Star and The World—has been somewhat overlooked in the canon of late Victorian journalism. However, his critique of the 1880–1890 opera performances stands alone in its own right as the most influential early modern critical discourse on music drama in the British milieu. …”
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