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    Urlinie und Zwölftonreihe als Zeitgenossinnen by Martin Eybl

    Published 2021-12-01
    “…Schenker and Schoenberg were united by the notion that (1) musical coherence relates primarily to pitches, (2) the vertical and the horizontal dimension of music are closely connected, (3) complex musical structures are built from nothing more than germ cells or simple elements, and that (4) the fullness of musical coherence is not immediately audible and requires analysis to fully grasp. …”
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