Les chanteuses à la barre by Mélanie Traversier

“…Singing for opere buffe or opere serie, the female opera singers hired by the Neapolitan public theatres play an important role in promoting the musical prestige of the city. However a social stigmat is still attaches to them: in the best way they are described as capricious, in the worst they are viewed as scandalous temptresses threatening the social order. …”
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Cerámica monocroma esgrafiada/incisa de la Gran Nicoya (siglos i-xvi d.C.) by Gilles Desrayaud

“…Containers, figurines and musical instruments are decorated with fine figurative modellings and geometrical patterns of complex symbolical significances. …”
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Song folklore of the Crimean Tatars: the aspect of identification (part 1) by Rustem Komurdzhi

“…The article is devoted to the issue of displaying the self-name of the Crimean Tatars in his musical and song creativity, as a carrier of the historical memory of the people. …”
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Dirva company by Vladas Žukas

“…The remaining publications included academic works, popular-scientific literature, reference books, musical scores, and fine art editions. Original books were predominant, with the company publishing over one hundred author books. …”
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Gwiazdy filmowe płaczą tylko przez minutę. Z Joramem ten Brinkiem rozmawia Andrzej Pitrus by Andrzej Pitrus

“…W filmie wykorzystano niecodzienną strategię – jego bohaterowie odgrywają własne zbrodnie, wykorzystując różne konwencje gatunkowe: od kina czarnego, przez western, aż po musical. Joram ten Brink m.in. zdradza rozmaite szczegóły dotyczące realizacji filmu, mówi o jego recepcji, a także wspomina swoje wcześniejsze produkcje. …”
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Enjeux artistiques et stratégies patrimoniales dans le flamenco au temps des années 1960-2000 by Corinne Frayssinet Savy

“…The heritage work of singer Antonio Cruz García, known as Antonio Mairena (1909-1983), which took place between 1960 and 1983, and the ethnographic work of guitarist Pedro Peña Peña, known as Pedro Bacán (1951-1997), which took place between 1989 and 1997, reflect two different conceptions of flamenco, based on sources that depend on gypsy family musical practices. They are part of a wider historical and contextual framework that puts into perspective the question of collecting as applied to flamenco and its various modes of dissemination, and the ethical and aesthetic issues that arise from it. …”
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Nietzsche y el espíritu de la música by María José Opazo Marinkovic

“…A partir de la revisión de los antecedentes filosóficos y musicales que influyeron en su concepción filosófica de la música, se propone un nuevo enfoque sobre la larga reflexión musical nietzscheana, que transita desde la tragedia griega al drama alemán wagneriano y culmina en la ópera Carmen de Bizet, con el propósito de mostrar la influencia de la música y la historia de Carmen en el pensamiento maduro del filósofo y dilucidar las razones de su entusiasmo por esta obra, en la que Nietzsche finalmente encuentra el anhelado estado de embriaguez, la experiencia de conocimiento vital y la perfección artística.   …”
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LA DANZA EN LA MUSICOTERAPIA by María Rosario Castañón Rodríguez

“…La danza es una de las formas más antiguas de terapia, intervención musical y expresión artística de los seres humanos. …”
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Human Activity Recognition Using Graph Structures and Deep Neural Networks by Abed Al Raoof K. Bsoul

“…It demonstrated robustness across diverse activities, including sports, household routines, and musical performances. This study highlights the potential of graph-based HAR systems for real-world applications, with future work focused on multi-modal data integration and improved handling of occlusions to enhance adaptability and performance.…”
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Ons sal antwoord op jou roepstem by Chris Broodryk

“…While Pretville invents a 1950s South African town that fails to correspond to any inhabited reality of that time, Platteland offers an Afrikaans musical-western wherein Hofmeyr dominates as patriarch. …”
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Über die Beziehungskonstellationen der Liebe by Rafał Szubert

“…The conceptual domain of love is explored through examples from various areas of language use: in online dating communication, gender-specific advice on flirting and courtship communication, the mourning of parents for their deceased children, the grieving process after the death of a surviving partner, marketing strategies, musical-dramatic imaginings of love from a linguistic perspective, the non-linear structure of language, staged animal love in zoo documentary soaps, children’s books, and in the design of interstate relationships. …”
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Problematización, eventualización y ficcionalización: la crítica en lavisibilización de las subjetividades by Jorge Eliécer Martínez Posada

“…El articulo brinda elementos para el camino metodológico en las formas de abordar las subjetividades: el trabajo se presenta a modo de melodía musical con un introito a modo de introducción, cuatro incisos, el primero de los cuales se denomina «¡ El punto de partida es ontológico!»…”
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“Most likely you go your way and I’ll go mine”: A Rock Star’s Guide to Abandoning your Audience by Adrian Smith

“…À la recherche d’oubli et d’annihilation que motive le retrait de la scène rock protestataire du personnage de DeLillo, nous comparerons la volonté de Dylan et ses musiciens de s’éloigner de l’industrie de la musique pour mieux renouveler leur inspiration en inscrivant leurs morceaux dans l’héritage musical américain. Nous verrons également qu’en s’éloignant du milieu de la musique folk, Dylan, loin d’avoir tourné le dos au radicalisme politique, a poursuivi sa démarche de contestation dans son mode d’expression artistique.…”
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Interview with Dirk Maggs, audio dramatist and co-creator of Audible’s The Sandman by Vikram Nijhawan

“…Examining the audio translations of key Sandman story arcs—including the standalone meta Shakespearean adaptation “A Midsummer Night’s Dream,” the musical score in the “Song of Orpheus,” and the Chaucerian storytelling structure of “World’s End”—Maggs shares insights into the innovative narrative medium he helped to pioneer. …”
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“L’OPERA SERIA” ET SES RÉFORMES by Diana TODEA

“…This reform, which was first of all a literary one led to the development of opera seria; half a century later, when one would focus again on the innovations of the genre there will be a second reform, this time more than dramatic since it will have solid musical and theoretical foundations. [1] «L’opéra ne constituait que un branche sur un tronc solide de la littérature dramatique», in Isabelle Moindrot, L’opéra seria ou le règne des castrats [Opera seria or the reign of the castrati],.Paris, Fayard,1993, p. 21. …”
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Réécritures du mythe d’Orphée et enjeux esthétiques, philosophiques et formels dans The Mask of Orpheus de Harrison Birtwistle by Jean-Philippe Heberlé

“…This is why the opera may be considered as a ritualistic piece of work; this is underlined by the omnipresence of the figure three—a ritual number—in the literary and musical structure of The Mask of Orpheus.…”
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Formfunktionen der Sonatenform. Ein Beitrag zur Sonatentheorie auf der Grundlage einer Kritik an William E. Caplins Verständnis von Formfunktionen by Ulrich Kaiser

“…Applying this critical view to the formal functions ›main theme‹, ›transition‹, ›subordinate theme‹, and ›closing section‹, an alternative concept for the musical analysis of sonata form is developed and illustrated with compositions from the second half of the eighteenth century and the early nineteenth century.…”
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Hallelujah (1929) de King Vidor : naissance de la voix afro-américaine à Hollywood by Jean-Marie Lecomte

“…Avoiding both popular imagery and musical fantasy, Vidor achieved what might be called “lyrical social realism”, a blend of subjective vision and objective reality. …”
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Pensar desde el otro lado de la línea abismal by Silvia Valiente

“…Más concretamente, se analiza en qué medida las obras del canta-autor santiagueño argentino Horacio Banegas -desde el género musical folklórico- vehiculizan una forma de conocimiento próximo al pensamiento posabismal. …”
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Digital and physical re-creation of ancient Chinese bells: new understandings and discoveries by Kin Sum Li

“…The study seeks to answer a series of questions, including whether replication of bells was practiced in ancient times, how casters could predict the tones a bell would produce before casting, and how a set of bells used as a musical ensemble could have been developed over history.…”
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