Explizite und implizite Regeln der modalen Solo-Improvisation in iranischer Musik. Eine vergleichende Analyse by Davoud Tavousi

“…The text is divided into three main sections: (1) “Teaching and learning Iranian music improvisation,” (2) “The interrelationship between Persian language and Iranian music,” (3) “The derivation of theoretical rules for Iranian modal solo improvisation through comparative analysis.” …”
Get full text

A Survey on Machine Learning Techniques for Head-Related Transfer Function Individualization by Davide Fantini, Michele Geronazzo, Federico Avanzini, Stavros Ntalampiras

Get full text

À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

“…Whether it be the ringing of church bells, the continuous humming of Binet’s lathe or the lowing of cattle (to mention only a few of the numerous sounds evoked in the novel), the music of daily life in the provinces is an integral part of the narration.  …”
Get full text

REPETITION AND FANTASY IN SPRING, POEM FOR SOPRANO, CLARINET AND PIANO, BY CARMEN PETRA-BASACOPOL by Şerban MARCU

“… The present study, part of the research grant The artistic and social impact of the contemporary music of the 21st century from the perspective of the relationship composer-performer-audience (project director Assistant Professor Cristian Bence-Muk, D.Mus.) investigates the structural and rhetoric aspects in the poem Spring, for soprano, clarinet and piano, by Carmen Petra-Basacopol, on the verses of poet Mariana Dumitrescu. …”
Get full text

Habib Benglia, le « nègrérotique » du spectacle français by Nathalie Coutelet

“…Habib Benglia exemplified the way theatre and music hall industry eroticized the black body. Sensuality always played a great part in the characters he embodied. …”
Get full text

Ambient Games, Revealing a Route to a World Where Work is Play? by Mark Eyles, Roger Eglin

“…Growing out of ideas in ambient music, ambient gaming is defined as “ignorable as it is interesting” after Brian Eno's description of ambient music. …”
Get full text

CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW by Noémi MIKLÓS

“…In order to realize a proper performance of this monumental work it is necessary to run through a series of structural, technical and performance issues which are essential in the process of understanding Franck’s organ music. The following analysis is structured in two main parts: the first part discusses the form of the work emphasising its main structural sections, whilst the second part handles the performance and the technical problems regarding articulation, dynamics, tempo and style. …”
Get full text

Conjugate propagator method for direction finding by LIU Jian1, WANG Yan-wei1, HUANG Zhi-tao2, ZHOU Yi-yu2

“…Simulation results show the better performance of COP than OPM and MUSIC algorithms and the accordance between the theoretical results and the simulation results.…”
Get full text

A Low Computational Complexity SML Estimation Algorithm of DOA for Wireless Sensor Networks by Faming Gong, Haihua Chen, Shibao Li, Jianhang Liu, Zhaozhi Gu, Masakiyo Suzuki

“…In particular, the algorithm which uses the local AM method and estimation of MUSIC as initial value has much higher resolution and comparable computational complexity to MUSIC.…”
Get full text

Im Labyrinth – György Ligetis Étude pour piano Nr. 1 Désordre im Höranalyse-Unterricht by Irmgard Brockmann

“…The audio examples not only prove to be a methodically useful compass in the polyrhythmic labyrinth of this work, but also offer appealing analogies to Ligeti‘s sources of inspiration, both to African music and the methods by which African music can be studied and to the machine aesthetics in the Studies for Player Piano by Conlon Nancarrow.…”
Get full text

TEXTURALISM by Andrei C. COZMA

“…The suggested theory of texturalism thus systemizes an important part of the 20th century music in which compositional techniques of other style defining musical practices are grouped together with singular technical features. …”
Get full text

GHIDUL IUBITORILOR DE FOLCLOR (THE GUIDE OF THE FOLKLORE LOVERS), 1/2011, PUBLISHING BY ED. LIDANA, SUCEAVA (ISSN: 2284-5593) by Gabriela COCA

Get full text

THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT by Gabriela COCA

“… The purpose of this paper consists in the analyze of the unifying correspondences of structural, artistic, and musical content of the cycle of Lied Die Schöne Müllerin by Franz Schubert. …”
Get full text

Henri IV à la reconquête du royaume de France : les légendes en faveur du premier roi Bourbon, en musique by Cindy Pédelaborde

“…Somewhat sacrificed during the religious wars, the artistic and musical court life bloomed after peace returned. Nevertheless, the era of the civil wars was not entirely devoid of music. …”
Get full text

A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO by Tudor FERARU

“…Glosse, the last of these pieces, is conceived as a series of short musical commentaries on an imaginary quartet. Yet, this work emerges as a very coherent one, leaving a strong impression of continuity, as well as distinctiveness of the individual ideas. …”
Get full text

Sztuka mała czy wielka? Refleksje nad twórczością dziecka by Małgorzata Suświłło

“…In the empirical part I present results of the study of plastic and literary art of third-graders (age 9–10), undertaken under infl uence of music. In the study the method of observation and analysis of products were applied. …”
Get full text

D’autres mondes pour d’autres musiques : les dimensions sonores parallèles de The OA (Partie 01) by Jérémy Michot

“…This article explores how sound and music contributes to the OA’s character and distrubing narrative. …”
Get full text

Analysis and verification on one-dimensional location performance of shortwave single station by Ting LI

“…With the low sensitivity of beam field and noise-sensitive of high resolution spatial spectrum algorithm,the low location precision under the complex electromagnetic environment becomes a severe problem.The Capon and Root-MUSIC (CRMU) joint algorithm was proposed to research the one-dimensional location technology.The proposed algorithm could not only avoid the high operation caused by the peak search but also suppress the noise,which contributed to reduce the root mean square error (RMSE) of azimuth.Then,the simulation results demonstrate that the RMSE of the proposed algorithm is at least 0.2 degrees less than that of the Root-MUSIC algorithm.In addition,the location error of the proposed algorithm is less than 3% in the practical application of one-dimensional location of shortwave single station,which satisfies the demand that the location error should be below 5%.…”
Get full text

ANNALYTICAL BENCHMARKS IN THE WORK “ON A SUN DIAL II” FOR CLARINET B FLAT AND RECITER BY PETRU STOIANOV by Cristian BENCE-MUK

“… On a sun dial II by Petru Stoianov, for clarinet and reciter strats from Nichita Stănescu’s verses (like many others of the composer’s opuses) and offers sonorous meditation on the poetic text. From a musical point of view, we distinguish an outlook where musical morphology subordinates its syntax through the supremacy of cellular-motivic thinking, with “parsimony of means”. …”
Get full text

Renewal of the Concept of Diverse Education: Possibility of Further Education Based on a Novel AI-Based RF–ISSA Model by Enhui Li, Zixi Wang, Jin Liu, Jiandong Huang

Get full text