Ce que le livestream fait au live by Romain Bigay

“…The first consequence of the digital transition in the music industry is to bring about a crisis in the physical media market which has not yet finished delivering all its implications. …”
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LINEN SIEVES – THOUGHTS ON THE MARGIN OF ANGI ISTVÁN'S MUSICOLOGICAL WRITINGS (ANGI ISTVÁN: SITE DE IN, EDITURA MEDIA MUSICA, CLUJ-NAPOCA, 2014) by Attila FODOR

“… Founder of the Romanian school of music aesthetics, Angi Ştefan exposes in this book a bounded, but significant segment of his central musicological concerns of the late years. …”
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Eulalie, un système documentaire pour préserver la musique électroacoustique basé sur l’ontologie Dorémus by Bernard Jacquemin, Clarisse Bardiot, Alexandre Michaan, Jeanne Westeel, Oudom Southammavong, Daniel Koskowitz

“…Eulalie is an operational, open-source, and free information system dedicated to electroacoustic music for the documentation and preservation of works. …”
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THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA by Luminiţa GUŢANU

“… The music of Gheorghe Mustea displays a heterogeneous style, richly inspired by the compositional manner of the great composers of this genre (M. …”
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Methods of teaching flute playing: Synthesis of Ukrainian and European schools by D. Hudymenko

“…In the course of the study, a series of focus groups were held with 26 people, including experienced flutists, teachers of music schools and conservatories, and students of music faculties. …”
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The Interpretation is the Message. Komposition als angewandte Interpretation bei György Kurtág by Tom Rojo Poller

“…. // At first sight, it seems fairly appropriate to apply standard music-analytical tools to the music of György Kurtág, since this music is deeply rooted in the tradition of European art music. …”
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Carl Philipp Emanuel Bachs Fantasien, oder: Von der »Wissenschaft der Harmonie« by Ralph Bernardy

“…This article interprets Bach's fantasies as figured bass music that transfers the most advanced techniques of ›theatrical harmony‹ (first described theoretically by Johann David Heinichen) to instrumental music and intensifies them in an unexpected way. …”
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The Myth of Political Neutrality by Tim Honig, Susan Hadley

“… This editorial discusses the roles and meaning of the “political” in music therapy journals and publication processes and calls into question the value and expectation of political neutrality. …”
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Application of Multiacoustic Data in Feature Extraction of Anemometer by Dawei Chen, Xu Guo

“…The acoustic characteristics of wind instruments are a major feature in the field of vocal music. This paper studies the application effect of wind power instrument feature extraction based on multiacoustic data. …”
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Au son d’un savoir impossible : Bouvard et Pécuchet à la télévision, avec la musique de Michel Portal by Dario Cecchi

“…This adaptation was realized by Jean-Daniel Verhaeghe in 1989, being based on Jean-Claude Carrière’s script and with the music composed by Michel Portal. This music is the principal object of this article. …”
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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire by Michela Niccolai

“…The music plays a central role because, in the absence of a text, it must be narrated, so that known tunes, drawn from operas, operettas and café-concert, often used with a parodic sense, alternate with original music composed by Tinchant and Fragerolle. …”
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Blacking Up : Une histoire du rock au prisme du blackface by Keivan Djavadzadeh

“…On the basis of an analysis of rock music, its origins and its transatlantic circulations, I will examine the racial politics of popular music and postulate a continuity of the blackface cycle. …”
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RALPH VAUGHAN WILLIAMS: “A CAMBRIDGE MASS”. ABOUT A NEWLY DISCOVERED MANUSCRIPT AND A WORLD PREMIERE, IN CONVERSATION WITH MAESTRO ALAN TONGUE by Bianca ŢIPLEA TEMEŞ

“… Acknowledged as one of the most prominent figures of British music history, the composer Ralph Vaughan Williams is well known to the world for pieces like Fantasia on a Theme of Thomas Tallis, A Sea Symphony, The Wasps and many others. …”
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Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) by Johanna Hartmann

“…In 2016, Beyoncé published Lemonade, a work of art that exists in various manifestations: as a music album that includes twelve songs, as live performances (including her world tour and her appearance at the Superbowl halftime show), and as a “visual album,” an art film that consists of the music video clips for each individual song and visually and auditorily complex “chapters” which feature the poetry by Warsan Shire. …”
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DIE MUSIKALISCHE ANALYSE DES WERKES „MYSTERIUM“ VON KISKAMONI-SZALAY MIKLÓS by Zoltán SZALAY

“…This work is modal in character from every point of view. The classical tonal musical resolutions are absent from the work. This modal character is present on a number of levels: the modal scales and melodies characteristic of folk music, plus those to be found in 19th and 20th century music, especially in the compositions of Bartók. …”
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Rhythm and Movement for Self-Regulation (RAMSR) intervention for preschool self-regulation development in disadvantaged communities: a clustered randomised controlled trial study p... by Kate E Williams, Sally Savage, Rebecca Eager

“…The intervention is based on the neuroscience of beat synchronisation, rhythmic entrainment and the cognitive benefits of music therapy and music education—and is called Rhythm and Movement for Self-Regulation (RAMSR). …”
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The influence of emotional states induced by emotion-related auditory stimulus on ankle proprioception performance in healthy individuals by Keqing Yuan, János Négyesi, Takeshi Okuyama, Ryoichi Nagatomi

“…Conversely, errors increased under happy emotion compared to no music (p = 0.006, d = 0.91) and neutral (p = 0.01, d = 0.77). …”
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Schemata und Systemcharakter by Stefan Rohringer

“…Gjerdingen zu den Skizzen von Joseph Haydns Hob. III: 33, iii in Music in the Galant Style vorgelegt hat. Following the arguments of the philosophers Michael Esfeld and Martin Seel it is first shown how music-analytical discourses and musical works can be described as systems. …”
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“EQUINOXES” BY TIBERIU OLAH by Răzvan METEA

“…Not unlike grand personalities, Tiberiu Olah understood music on large areas and ample dimensions of time. …”
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Publishing Trends of Informal Lithuanian Youth Publications –Fanzines – at the End of the 20th Century and the Beginning of the 21st Century by Aušra Kairaitytė-Užupė

“…Metal music fanzines were characterized by greater volume. …”
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