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  1. 1121

    Jane Eyre de Michael Berkeley et de David Malouf : La transposition opératique d’un grand classique de la littérature anglaise by Jean-Philippe Heberlé

    Published 2006-12-01
    “…Premiered on June 30, 2000 by Music Theatre Wales at the Cheltenham International Festival of Music, this opera is based on the novel by Charlotte Brontë and the libretto is written by the Australian poet, novelist, playwright and librettist, David Malouf. …”
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  2. 1122

    LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA by Bianca ŢIPLEA TEMEŞ

    Published 2013-06-01
    “… Beneath the Romanian Concerto’s colourful orchestral surface, evoking the folk-inspired music of both Bartók and Enescu, lies Ligeti’s early activity as a researcher (1949-1950) at the Folklore Institute in Bucharest. …”
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  3. 1123

    Sociétés chorales et Renaissance de la musique anglaise, 1840-1910 by Gilles Couderc

    Published 2010-06-01
    “…Various social reformers, like John Curwen of Tonic Sol-Fa fame, developed methods to teach the untrained choristers how to read music, thus permitting their exposure to high-brow culture, to which the policy of the music publisher Novello greatly contributed. …”
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  4. 1124

    L’art comme forme symbolique by Audrey Rieber

    Published 2009-07-01
    “…What is specific to music is that it can discover pure forms of the mind. …”
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  5. 1125

    Mit „muzykalnego Wiednia” w twórczości krytycznomuzycznej Stefanii Łobaczewskiej by Magdalena Dziadek

    Published 2017-12-01
    “… This paper presents a body of press sources relating to the influence of the myth of ‘musical Vienna’ on Stefania Łobaczewska’s critical writings on music. …”
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  6. 1126

    The New Approach Research on Singing Voice Detection Algorithm Based on Enhanced Reconstruction Residual Network by Lilin Liu

    Published 2022-01-01
    “…Faced with the massive resources in the multimedia music library, it is extremely difficult for people to find the target music that meets their needs. …”
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  7. 1127

    NEW TRENDS IN MODERN MUSICOLOGY. A DISCUSSION WITH PROFESSOR NICHOLAS COOK by Bianca ŢIPLEA TEMEŞ

    Published 2012-06-01
    “…Are we still mistaking the score with the music itself? Do we still ignore performance as an object of study? …”
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  8. 1128

    A study of two Chinese-style Clarinet Works Colors from China and Hommage to China from the Perspective of Cultural Holism by Congjie Zhao

    Published 2024-08-01
    “… Cultural Holism is a guiding ideology for music study proposed by Chinese scholar LUO Yifeng in 2006. …”
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  9. 1129

    ECHOES by Tudor FERARU

    Published 2013-12-01
    “… Music scores …”
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  10. 1130

    ORNAMENTS IN THE TREATY VERSUCH EINER ANWEISUNG DIE FLÖTE TRAVERSIÈRE ZU SPIELEN (1752) FROM JOHANN JOACHIM QUANTZ by Ignác Csaba FILIP

    Published 2011-06-01
    “… The application of the performing principles ornaments described by Quantz is valid for all the performers who wish to represent the baroque music according to its rules and to the rules of the epoch. …”
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  11. 1131

    A New History of the Gdańsk/Danzig Organ Tablature by Marcin Szelest

    Published 2024-12-01
    “…They include a codicological description of the manuscript in which it was recorded (Gdańsk, State Archive, shelf mark 300,R/Vv,123) and recognition of the manuscript’s contents; distinguishing the scribes; identification of the owner of the book and the scribe of the music; a history of the music section of the manuscript; an analysis of groups of works, their function and features of their notation. …”
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  12. 1132

    PROTECTING THE HARMONY – THOUGHTS ON THE MARGIN OF ANGI ISTVÁN’S BOOK ABOUT AESTHETIC PIETY (ANGI ISTVÁN: A HARMÓNIA MARAD, PARTIUM KIADÓ, NAGYVÁRAD, 2013) by Attila FODOR

    Published 2014-06-01
    “… Seems like it was only yesterday, when we have celebrated the 70th birthday of the restless and prolific music esthetician from Cluj-Napoca, Angi István, with the presentation of his book edited by the Polis Publising, entitled The models of the musical beauty. …”
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  13. 1133
  14. 1134

    Zygonic Theory: Introduction, Scope, and Prospects by Adam Ockelford

    Published 2009-01-01
    “…This extended article introduces Adam Ockelford’s ‘zygonic’ theory of music-structural understanding, which holds that imitation, which can occur in all domains of perceived sound and at all levels, is the ultimate organising force in music. …”
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  15. 1135

    Muzyczne harmonie i harmonia świata. „Pieśni Ziemi i Mocy” Grega Beara by Joanna Kokot

    Published 2025-02-01
    “…One of the main themes of Greg Bear’s dylogy, Songs of Earth and Power is music (as well as art in general) and its power to change the material reality. …”
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  16. 1136

    Singend is die geloof in sy element ... Gemeentesang as kommunikatiewe handeling by E. C. Kloppers

    Published 2003-12-01
    “…In this article it is argued that in many ways music has the qualities of a symbolic or metaphorical language. …”
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  17. 1137

    MEDITATION OF A LONELY BASSON by Cristian Bence-Muk

    Published 2014-06-01
    “… Music scores …”
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  18. 1138

    Hamlet à l’épreuve des librettistes by Francis Guinle

    Published 2011-12-01
    “…The so-called “weaknesses” of the libretti may be accounted for by the fact that they are meant to be set to music. In some rare cases, where the libretto uses part of the original text (like Francis Poulenc’s Dialogues des Carmélites), the music closely follows the shape of the words, but usually it fulfills a poetical aspect lacking in the text. …”
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  19. 1139

    The cultural and historical significance of malopo ritual: a Pedi perspective by M. E. K. Lebaka

    Published 2014-12-01
    “…or ‘What is the role of music in such healing processes?’. This article is a result of a guided investigation carried out in order to answer these questions. …”
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  20. 1140

    Myśli Jana Jakuba Rousseau o wychowaniu i muzyce – ich reminiscencje w rytmice Emila Jaques-Dalcroze’a by Ewa Szatan

    Published 2015-09-01
    “…He focuses his discourse on the issues related to the moment when the musical education of the child takes form and also on the quality of the child’s first contacts with music, and the role of parent and teacher in the child’s appreciation of music. …”
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