A Low Computational Complexity SML Estimation Algorithm of DOA for Wireless Sensor Networks by Faming Gong, Haihua Chen, Shibao Li, Jianhang Liu, Zhaozhi Gu, Masakiyo Suzuki

“…In particular, the algorithm which uses the local AM method and estimation of MUSIC as initial value has much higher resolution and comparable computational complexity to MUSIC.…”
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Im Labyrinth – György Ligetis Étude pour piano Nr. 1 Désordre im Höranalyse-Unterricht by Irmgard Brockmann

“…The audio examples not only prove to be a methodically useful compass in the polyrhythmic labyrinth of this work, but also offer appealing analogies to Ligeti‘s sources of inspiration, both to African music and the methods by which African music can be studied and to the machine aesthetics in the Studies for Player Piano by Conlon Nancarrow.…”
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TEXTURALISM by Andrei C. COZMA

“…The suggested theory of texturalism thus systemizes an important part of the 20th century music in which compositional techniques of other style defining musical practices are grouped together with singular technical features. …”
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GHIDUL IUBITORILOR DE FOLCLOR (THE GUIDE OF THE FOLKLORE LOVERS), 1/2011, PUBLISHING BY ED. LIDANA, SUCEAVA (ISSN: 2284-5593) by Gabriela COCA

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THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT by Gabriela COCA

“… The purpose of this paper consists in the analyze of the unifying correspondences of structural, artistic, and musical content of the cycle of Lied Die Schöne Müllerin by Franz Schubert. …”
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A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO by Tudor FERARU

“…Glosse, the last of these pieces, is conceived as a series of short musical commentaries on an imaginary quartet. Yet, this work emerges as a very coherent one, leaving a strong impression of continuity, as well as distinctiveness of the individual ideas. …”
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Sztuka mała czy wielka? Refleksje nad twórczością dziecka by Małgorzata Suświłło

“…In the empirical part I present results of the study of plastic and literary art of third-graders (age 9–10), undertaken under infl uence of music. In the study the method of observation and analysis of products were applied. …”
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ANNALYTICAL BENCHMARKS IN THE WORK “ON A SUN DIAL II” FOR CLARINET B FLAT AND RECITER BY PETRU STOIANOV by Cristian BENCE-MUK

“… On a sun dial II by Petru Stoianov, for clarinet and reciter strats from Nichita Stănescu’s verses (like many others of the composer’s opuses) and offers sonorous meditation on the poetic text. From a musical point of view, we distinguish an outlook where musical morphology subordinates its syntax through the supremacy of cellular-motivic thinking, with “parsimony of means”. …”
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Experimental Results of Novel DoA Estimation Algorithms for Compact Reconfigurable Antennas by Henna Paaso, Aki Hakkarainen, Nikhil Gulati, Damiano Patron, Kapil R. Dandekar, Mikko Valkama, Aarne Mämmelä

“…In addition, we evaluate the performance of the APPR and MUSIC algorithms with numerical simulations as well as with real world indoor measurements having both line-of-sight and non-line-of-sight components. …”
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THE INGENUITY OF THE TONAL PLAN OF THE DEVELOPMENT SECTIONS OF THE SONATA FORMS OF PIANO SONATAS BY W. A. MOZART by Gabriela COCA

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»Non confundentur«. Von der gelehrten ›Palestrinesca pratica‹ zur Harmonielehre by Roberta Vidic

“…The practical and theoretical engagement with Palestrina’s music is the basis for the music-theoretical innovations of Francesco Antonio Calegari (1656–1742), founder of the Paduan ‘Scuola dei rivolti’. …”
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The Life of Marine Engineer Officer Edgars Oto Pinka (1895–1941) by Indulis Zvirgzdiņš

“…Pinka to raising awareness about Latvia and Latvian music in France in the early 1930s is also significant. …”
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Cielesność dywergencyjna – komponent integralnej edukacji wychylonej w przyszłość by Katarzyna Krasoń

“…Listening to music (acoustic signs) is in this play transcoded into kinetic-bodily signs. …”
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Crimson Tide: Hans Zimmer, Subliminal Harmony, and Submerged Voices by Donald Greig

“…Using Neo-Riemannian theory, the potential contribution of which to film-music studies is still only now beginning to be explored, I examine the deployment of specific harmonic strategies that create a link back to earlier Hollywood film-music practices and show how Zimmer represents less an evolution than a continuation of recognisable styles and idioms. …”
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“SONATA FOR CLARINET SOLO” BY TIBERIU OLAH by Răzvan METEA

“…Apparently, Olah led an ordinary life, among us; in fact, music permeated his life as an uninterrupted ostinato, to the point of identification with it, in symbiotic communion. …”
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Nye slåtter på sjøfløyta by Per Åsmund Omholt

“…The starting point is practical, where a springleik material in Gudbrandsdalen has been transferred to the recorder, or “Sjøfløyte”, as the instrument is often referred to in the folk music genre. The article, which has a practical-pedagogical purpose, addresses specific issues related to the relationship between the technical side of the instruments and the musical framework set by tradition, but thus has relevance beyond the regional and organological delimitation that the starting point would indicate. …”
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ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET” by Oana ANDREICA

“…His works often look back at the musical tradition, exploring its potential by means of modern compositional techniques and thus giving it a totally new shape and value. …”
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Jenny Lind. Of Echoes and Traces by Anne Harley, Andrea Zittlau

“…In this article, we consider the music written for Lind and how the sound she produced impacted her audiences, as well as those who did not even hear her. …”
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Zoltán Kodálys Harmonielehre – ein Rekonstruktionsversuch by Anna Dalos

“…In 1907, at the age of 25, Zoltán Kodály began teaching music theory and composition at the Budapest Academy of Music. …”
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Making Dementia Matter Through Sound by Marjolein Gysels, Chris Tonelli, Thomas Johannsen

“…Theoretically, the findings have implications for the notion of care and provide support from practice to existing neurological evidence of the significance of music as a fundamental faculty for survival and wellbeing. …”
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