Introduction by Marcin Stawiarski

Subjects: Get full text

Tone, the driving force in Qaisar Aminpour's Ashura Elegies by Seyed Mehdi Mousavi nia, Gholamreza Kafi

Subjects: Get full text

Chroni(qu)es new-yorkaises : City Life de Steve Reich by Antoine CAZÉ

Subjects: Get full text

Robert Rabenalt, Musikdramaturgie im Film. Wie Filmmusik Erzählformen und Filmwirkung beeinflusst, München: edition text + kritik 2020 by Matthieu Stepec

Subjects: Get full text

When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875) by Joël Richard

Subjects: Get full text

Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland by Pouya Morshedi, Lisa-Jo K. van den Scott

Subjects: Get full text

‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973) by Mauricio Gómez Gálvez, Javier Rodríguez Aedo

Subjects: Get full text

“those terrible songs”: Laura E. Richards’s Ditties and the Education of Boys by Ralph J. Poole

Subjects: “…music…”
Get full text

Analysis of Lexical Balance in Sana'i Sonnets by Omalbanin Nikkhahe noori, Mostafa Salari, Behroz Romiyani

Subjects: Get full text

« Soy feminista y me gusta el perreo » : les conflits de (re)signification dans les politiques sexuelles du reggaeton by Victor Santos Rodriguez

Subjects: Get full text

I am hated, therefore I am: The Enemy in Yorùbá Imaginary by Abimbola Adelakun

Subjects: “…Ọtá, Pentecostalism, Yorùbá popular music, Prayers, Identity…”
Get full text

Accords et désaccords. Pratiques et représentations de la guitare à Madrid et en Andalousie de 1883 à 1922 by Vinciane Trancart

Subjects: Get full text

La Saga de Camelia la Texana. La mujer en el narco y en el narcocorrido by Salvador Bernabéu Albert

Subjects: Get full text

Radiohead et le rock progressif : histoire d’un malentendu by Michel Delville

Subjects: Get full text

TROIS POÈMES DE STÉPHANE MALLARMÉ: A DEBUSSY-RAVEL COMPARISON by Attila FODOR

Subjects: Get full text

What if writing rock history was also writing with “ifs”? Or how Lester Bangs liked playing a trick on his reader’s perception of time by Maud Berthomier

Subjects: Get full text

Interview with Gabriel Josipovici by Marcin Stawiarski

Subjects: Get full text

Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle by Lise Manin

Subjects: Get full text

SYNESTHESIA BETWEEN SOUND AND COLOUR by George APOSTOLESCU

Subjects: Get full text

Martin Codax: a história que a música conta by Manuel Pedro Ferreira

Subjects: Get full text