Multikulturelles Virtuosentum. Schuberts Fantasie C-Dur für Violine und Klavier D 934 (1827) by Roberta Vidic

Subjects: “…musical form…”
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WORKING WITH VISUALLY-IMPAIRED PERFORMERS IN PIANO CLASS by Julia P. Antonova, Vitaliy V. Kalitskiy

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DÉBATS SUR LA « ROUMANITÉ » MUSICALE by Luana STAN

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La restauration du piano de Grétry by Patrick Dheur

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THE MONASTERY OF “NEW NEAMŢ” – THE SACRED RIVER THAT FLEW IN THE OCEAN OF ROMANIAN HISTORY by Stela GUŢANU

Subjects: “…sacred music…”
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VIOLETA DINESCU UND DER SCHLÜSSEL DER TRÄUME. JUBILÄUMS-PORTRÄT by Bianca ŢIPLEA TEMEŞ

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Castil-Blaze troubadour by Séverine Féron

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Robert Rabenalt, Musikdramaturgie im Film. Wie Filmmusik Erzählformen und Filmwirkung beeinflusst, München: edition text + kritik 2020 by Matthieu Stepec

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When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875) by Joël Richard

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Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland by Pouya Morshedi, Lisa-Jo K. van den Scott

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« Soy feminista y me gusta el perreo » : les conflits de (re)signification dans les politiques sexuelles du reggaeton by Victor Santos Rodriguez

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I am hated, therefore I am: The Enemy in Yorùbá Imaginary by Abimbola Adelakun

Subjects: “…Ọtá, Pentecostalism, Yorùbá popular music, Prayers, Identity…”
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Accords et désaccords. Pratiques et représentations de la guitare à Madrid et en Andalousie de 1883 à 1922 by Vinciane Trancart

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La Saga de Camelia la Texana. La mujer en el narco y en el narcocorrido by Salvador Bernabéu Albert

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TROIS POÈMES DE STÉPHANE MALLARMÉ: A DEBUSSY-RAVEL COMPARISON by Attila FODOR

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What if writing rock history was also writing with “ifs”? Or how Lester Bangs liked playing a trick on his reader’s perception of time by Maud Berthomier

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SYNESTHESIA BETWEEN SOUND AND COLOUR by George APOSTOLESCU

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Martin Codax: a história que a música conta by Manuel Pedro Ferreira

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Projet orchestre dans un collège REP+, à Toulouse : caractériser les difficultés déclarées par des professeurs chargés de l’enseignement musical by Lorraine Roubertie Soliman, Odile Tripier-Mondancin, Elisabeth Martinez, Nicole Bach

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»Interpretation« – VII. Jahreskongress der Gesellschaft für Musiktheorie und 6th European Music Analysis Conference, Freiburg 11. bis 14. Oktober 2007 by Verena Weidner

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