L’Opéra en version anglaise : un enjeu esthétique ou sociologique ? by Pierre Degott

“…An example of such a phenomenon is provided by the Old Vic in the 1920s, when Edward Dent’s spirited translations of Mozart’s operas won the theatre the name of "the Home of Mozart." …”
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On Topics Today by Nicholas McKay

“…The first is constructed around three influential texts: Leonard Ratner’s seminal book that established the discipline in its own right, Classic music: expression, form and style (1980); Wye Allanbrook’s Rhythmic gesture in Mozart: Le nozze di Figaro and Don Giovanni (1983); and Kofi Agawu’s Playing with signs: a semiotic interpretation of classical music (1991). …”
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Os regimes de visibilidade do censo de favelas de 1950 no Rio de Janeiro by Samuel Silva Rodrigues de Oliveira

“…It focuses on Alberto Passos Guimarães choices when building a cartographic visuality for the favelas and the work of professional photographer Mozart Alves da Silva in the photographic report that published the census results in the magazine O Observador Econômico e Financeiro.…”
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Rotationsprinzip und synthetische Reprisenfunktion im Klavierkonzert des späten 18. und frühen 19. Jahrhunderts by Pascal Schiemann

“…Das Type-5-Modell wurde beinahe ausschließlich anhand der Konzerte Mozarts konzipiert; nichtdestotrotz gehen Hepokoski und Darcy für das späte 18. …”
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Les Fiançailles au couvent : Prokofiev adapte La Duègne de Sheridan by Tetiana Zolozova

“…Betrothal in a Monastery is particularly arresting as it is based on a libretto to be set to music which Prokofiev immediately saw turned into an opera in the style of Mozart or Rossini. What were the composer’s intentions in writing his opera? …”
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L’inventario del palazzo di Giuseppe Tibaldi: musica e collezionismo nella Bologna di fine Settecento by Davide Mingozzi

“…His vocal style inspired the characters of Admeto in Gluck’s Alceste and Aceste in Mozart’s Ascanio in Alba. In addition to being a singer, Tibaldi was a respected composer and served multiple times as principe for the Accademia dei Filarmonici. …”
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Scattered Radiation Emission Imaging: Principles and Applications by M. K. Nguyen, T. T. Truong, M. Morvidone, H. Zaidi

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Recognizing structure in novel tunes: differences between human and rats by Paola Crespo-Bojorque, Elodie Cauvet, Christophe Pallier, Juan M. Toro

“…Structured melodies were excerpts of Mozart's sonatas. Unstructured melodies were created by the recombination of fragments of different sonatas. …”
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Development of a PM2.5 Forecasting System Integrating Low-cost Sensors for Ho Chi Minh City, Vietnam by Nguyen Ky Phung, Nguyen Quang Long, Nguyen Van Tin, Dang Thi Thanh Le

“…To increase the accuracy of WRF and the meteorological forecasting, the global DEM and land use data were replaced by Lidar data, and land use data were also retrieved from MODIS. Output from the MOZART model served as the boundary conditions for CMAQ, and AOD values reported by the MODIS Aerosol Product were assimilated to enhance the accuracy of the results. …”
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THE WAY TO THE SELF: THE NOVEL «STEPPENWOLF» THROUGH THE LENS OF JUNGIAN PROCESS OF INDIVIDUATION by Tetiana V. Danylova

“…Harry Haller’s mission is to overcome opposition between his social cultural «I» and Shadow (Steppenwolf), to recognize and accept his Anima (Hermine), to understand the mystery of the identity of Pablo, who embodies chthonic depths, and Mozart, who represents sublime spirituality, that is, to comprehend his own Self. …”
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Impact of different auditory environments on task performance and EEG activity by Zhen Xue, Wenxiao Zhong, Yong Cao, Shuang Liu, Xingwei An

“…Auditory stimuli have been shown to act as an emotional medium to influence the workload. For example, the ‘Mozart effect’ has been shown to enhance performance in spatial reasoning tasks. …”
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Muzyka i wolnomularstwo warszawskie na początku XIX wieku. Kilka nowych informacji dotyczących wolnomularskiej działalności Józefa Elsnera (ze zbiorów archiwum masońskiego w AGAD)... by Małgorzata Sieradz

“…W Warszawie poczynając od roku 1805 należał do tutejszej loży Złoty Lichtarz, a w następnych latach osiągał kolejne stopnie w strukturach organizacyjnych i obarczany był odpowiedzialnymi funkcjami w swej loży macierzystej Zur Halle der Beständigkeit (Świątynia Stałości; do loży tej – choć nie w Warszawie – należał także jeden z synów Mozarta, Franz Xaver Wolfgang Mozart), oraz obdarzany członkostwem honorowym innych miejscowych lóż – Świątyni Minerwy, Świątyni Równości, Pochodni Północnej i Świątyni Izis. …”
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