"All places equally estranged": A comparative reading of Veljko Milićević's The Pathless Land and Dinko Šimunović's The Stranger by Todorović Sofija D.

“…The paper comparatively examines two South Slavonic modernist novels, Dinko Šimunović's (1873-1933) The Stranger (Tuđinac, 1911) and Veljko Milićević's (1886-1929) The Pathless Land (Bespuće, 1912), with an emphasis on different manifestations of the phenomenon of alienation. …”
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The Women’s Land Army (1944): Vita Sackville-West’s Non-Fictional Wartime Writing by Christine REYNIER

“…The status of this book is discussed here: is it mere propaganda, a historical document, or a piece of modernist writing? Raising such questions about the status of this non-fictional narrative helps to place the author within a modernist literary context.…”
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The Comparison of coherence in the ode of "Jikour" by Sayab and "Along the river “by Nima by mohammadhassan amraee

“…The purpose of this paper is to evaluate the coherence and coordination, coherence in the text of the ode "Jikour and trees in the city" of Sayab, Iraqi modernist poet and the "river" of Nima, the Persian modernist poet NimaUshij Which is chosen selectively And written on the basis of descriptive-analytical and statistical methods. …”
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‘A Decent Respect to the Opinions of Mankind’ by Jacques Pothier

“…With his rhetorical awareness, Thomas Jefferson has successfully turned himself into a character, and responses to the darker sides of this founding father have resembled that of readers expecting consistency in a fictional character. However, like a modernist character, Jefferson could be inconsistent—liberal and racist : these « contradictions » inaugurated a Southern strategy of response to criticism on race relations, which can be fruitfully compared with the discourse of Ike McCaslin in Faulkner’s Go Down, Moses.…”
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Teaching E. E. Cummings’ No Thanks by Isabelle Alfandary

“…The reading of a modernist book of poems such as No Thanks (1935) by E. …”
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A Western – Chinese Conjoint Attempt to Surmount the Chinese Wall by Jüri Talvet

“… Tiao Wang, Ronald Schleifer (authors). Modernist Poetics in China. Consumerist Economics and Chinese Literary Modernism. …”
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Une Madeleine tropicale : la première traduction brésilienne de À la recherche du temps perdu by Étienne Sauthier

“…After the First World War and as an extension of the 1920 Modernist movement, many publishing houses financed by Brazilian capital emerged. …”
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Beyond the American Difficult Poem: Paul Celan’s “Du liegst” by Xavier Kalck

“…This paper presents a close reading of a late poem by German poet Paul Celan, with a view to call into question several critical assumptions relating to modernist-derived “difficulty.” By looking in detail at what makes a poem “difficult” for the reader,a fact highlighted by a comparative approach, it becomes possible to move beyond such qualities as innovative, radical or avant-garde, and to consider what truly makes up our literary knowledge.…”
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POSTMODERNISM AND POSITIVISM by Evaldas Nekrašas

“…There is no reason to regard postmodernism as a revolution in philosophy which overcame all modernist philosophies, positivism including. …”
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Rationnaliser l’architecture du monde agricole : Siracourt, village pilote de la Reconstruction (1946-1951) by Céline Frémaux

“…It’as an example of the application, in rural environment, of modernist theories.…”
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Imagist Novel’s Poetics: “Bid Me to Live” by H.D. by Yevheniya Chernokova

“…But unique Imagist poetic techniques for prose are being pointed out in front of the in-famous Modernist prose texts –– V. Woolf’s “Mrs Dalloway” and R. …”
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POSTMODERNISM AND POSITIVISM by Evaldas Nekrašas

“…There is no reason to regard postmodernism as a revolution in philosophy which overcame all modernist philosophies, positivism including. …”
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Integration of cultural heritage and BIM technologies by Маис Радхи Аль-Рувайшеди

“…The BIM software products available on the current market include libraries of details limited to modernist stylistics. Incorporating elements of Jordanian cultural heritage into these libraries is difficult. …”
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Participation, Housing, and the Question of ‘Good Architecture’ by Maroš Krivý

“…Whereas participation is a goal and an answer to modernist-Fordist city in raumlabor's practice, for DOGMA it is the starting point for interrogating post-Fordist city.…”
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O projeto literário de Erico Verissimo by Donizeth Santos

“…From one end to another, it has been almost 40 years of a deep literary production that began in the second part of modernist literature and reached contemporary literature.…”
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Ion Vinea între modernitate şi avangardă by Laurenţiu Hanganu

“…But when truly analysed, his work proves to be “highly modernist” – being one of the most representative in the process of the Romanian literature’s modernisation.…”
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Artifice and Medium-Specific Art: Poetry Performance and Film by Geneviève Cohen-Cheminet

“…The editing work undertaken with film artist Meryem De Lagarde led to a clearer understanding of issues of remediation, immediacy and hypermediacy, from the oppositional, Modernist legacy of artifice to the contemporary awareness of our collective, compliant fascination with images. …”
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Ranpo par inflexion ou Nagoya en mutation, recension de Ranpo et Nagoya : modernisme d’une ville de province et paysage originel du roman policier, de Komatsu Shōko by Hirotaka Ichiyanagi

“…Ranpo spent most of his childhood in Nagoya. How did the modernist urban culture of the late Meiji era, with its mix of conservatism and progressivism, influence Ranpo’s sensibility as an author? …”
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“Cut Prose”? The Sentence and the Line in Marianne Moore’s Poetry by Aurore Clavier

“…While the poet is commonly associated with the most radical and idiosyncratic verse patterns, from her earliest modernist experiments to her signature use of syllabic verse, her work is also marked by a less conspicuous, but equally thorough pull toward the continuity of prose, a genre she was consistently drawn to. …”
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Space Matters in Rachel Cusk’s Arlington Park by Armelle PAREY

“…My hypothesis is that with this emphasis on space Cusk may be modernist in her narrative style but she deliberately remains close to the Victorians in her choice of themes and treatment of women characters in relation to space in order to make a strong feminist statement, in the sense that her novel examines the experience of sexual difference and gendered space to denounce them as a source of discrimination.…”
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