Book Review on "Alsho'ara al-Mohadathoon by sayyed reza mirahmadi

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Le numéro double « Kay Boyle / Rachel Cusk: Neo-Modernist Voices » (e-Rea 10.2, 2013). Nicolas Boileau et Anne Reynes : L’interview imaginaire by Nicolas Pierre BOILEAU, Anne REYNES-DELOBEL

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Virginia Woolf’s “New School of Biographies” and Eighteenth-century Life-Writing: a Sense of Kinship by Maryam Thirriard

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Le réseau des petites revues littéraires belges, modernistes et d’avant-garde, du début des années 1920 : construction d’un modèle et proposition de schématisation by Daphné de Marneffe

“…In this article, the Belgian modernist and avant-garde literary periodicals from the post-World War I period are presented as “a network”. …”
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Composed for Solo Guitar or String Orchestra? The Fluid Incarnations and Pedagogical Opportunities of Wallace Stevens’s The Man with the Blue Guitar by Bart Eeckhout

Subjects: “…American modernist poetry…”
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The Philosopher’s Poet: Twenty-First-Century Perspectives on Wallace Stevens by Bart Eeckhout

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Situating the Jungle-village in Leonard Woolf’s The Village in the Jungle (1913) by Vihanga Perera

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A metamodern model for managing stakeholder relationships in non-profit organisations by Irma Meyer, Rachel Barker

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Is Truth to Post-Truth what Modernism Is to Postmodernism? Heidegger, the Humanities, and the Demise of Common-Sense by Klaus Benesch

Subjects: “…concept of post-truth; modernist vs. postmodernist critique; crisis of the humanities; anti-professionalism; Michel Foucault and the politics of parrhesia…”
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May Sinclair’s Literary Criticism: A Commitment to Modernity by Isabelle BRASME

“…Although May Sinclair’s work has tended to be relegated to the periphery of modernism, Sinclair entertained close relationships with many major modernist figures such as Ford Madox Ford, Ezra Pound, and Rebecca West. …”
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Duncan’s Stein Writings: Derivation and Logopoeia by Daniel Katz

“…This allows for a recontextualisation of Stein within the history of Anglo-American modernist poetry by women, and a consideration of its consequences. …”
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Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina by Elena Grau-Lleveria

“…Within the modernist production, Las perlas de Rosa (1914), by Aurora Cáceres, constitutes an exceptional text because it presents the existential crisis of a woman in which the masculine modernist languages are put into play, contaminating them with a discourse of Christian forgiveness and redemption that, in turn, alter the hegemonic feminine Catholic ideology of the time. …”
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May Sinclair’s Romantic Corpus by Leslie de Bont

“…This paper explores May Sinclair’s Modernist appropriation of Romantic tropes and experimentations. …”
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Clarissa Dalloway’s itinerary: narrative identity across texts by Monica LATHAM

“…The itinerary selected here traces her evolution from the very beginning of the twentieth century, when she is a rather conventional character, to a modernist, then post-modernist and neo-modernist character at the beginning of the twenty-first century. …”
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Manhatta de Charles Sheeler et Paul Strand : du panorama au kaléidoscope by Antonia RIGAUD

“…The film invests these thematics and quotes from previous or contemporary visual works, creating a network of visual citations that open a dialogue within these three modernist paradigms. The film’s aesthetic discourse is organized around a network of visual quotations and echoes to other arts and, in so doing, it allows for a reflection on intermediality and intericonicity in the modernist context.…”
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“At the still point of the turning world:” T.S. Eliot and Gilles Deleuze by Zekiye ANTAKYALIOGLU

“…Eliot was a prominent poet-critic of the modernist period whose theories have still as much penetrating influence on contemporary thinking as his poetry. …”
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The Tune of Thinking: Gertrude Stein’s Narration by Abigail Lang

“…A radical understanding of modernist medium-specificity would seem to account for Stein’s early abandonment of traditional generic distinctions—or their playful straddling—and the renaming of her medium as writing. …”
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Janet Flanner’s The Cubical City and the Life She Left Behind by Rai PETERSON

“…Reading Janet Flanner’s novel, The Cubical City (1926), as a lesbian modernist novel provides insight, not only into the author’s personal turmoil around coming out, but into broader work on the lesbian identity that was evolving during the modernist period in transatlantic literature. …”
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“Secret-Service buffoon to the Woman’s Cause”: Mina Loy’s ambivalent commitments by Margaret GILLESPIE

“…This article explores issues of commitment in relation to the early writings of woman modernist Mina Loy (1882-1966). It will be argued that it is not simply by way of her diverse aesthetic output, but also through the very instability of her poetic voice, that Loy troubles established narratives of modernist commitment, and complicates contemporary first-wave feminist debates, at once affirming and challenging the theories of her peers, and placing, in her own singular fashion, the “woman’s cause” at the heart of her artistic practice.…”
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Constructing Modernism Periodically: T. E. Hulme’s Essays on Art in The New Age by Dominika BUCHOWSKA

“…Their ideas, including the intensity of reception, subjective approach and direct communication to a work of art, as well as the need for abstraction, were of great importance in the formation of modernist thought in art and literature. These formulations were strengthened by Hulme’s series of reproductions of modernist artworks also appearing in The New Age in 1914. …”
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