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G.S. Morson e C. Emerson - Mikhail Bakhtin: criação de uma prosaística.
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Ditadura militar e literatura “parajornalística”: desconstruindo relações
Published 2014-01-01“…While the former doesn’t include narration, the latter develops characters and builds a plot, establishing a fictional universe as accepted by authors such as Paul Ricoeur, Mikhail Bakhtin, and Käte Hamburger.…”
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Poemas entre músicas: dialogia melopoética e(m) uma didática contemporânea
Published 2011-01-01“…With such concern, and leaning on in analyses of Mikhail Bakhtin, Octavio Paz, José Miguel Wisnik, Luiz Tatit e Jusamara Souza, the theoretical foundations of the didatic process consider, basi- cally, a conception dialogical and interactionist of that of those artistics language).…”
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God's Holy Spirit: a back-story from the Joseph narrative (Genesis 37-50)
Published 2013-06-01“…With the help of the philosopher/theorist Mikhail Bakhtin, the narrated experience of the character in seven scenes is examined for evidence of Judah’s journey of transformation – presumably guided by God’s widening and inspiring Spirit, with special attention given to the scene (Genesis 44) where Judah must persuade his (unrecognized) brother Joseph, serving as Viceroy of Egypt, to allow Judah to take punishment in place of their brother Benjamin for the sake of their father. …”
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Thomas Hardy : une écriture paradoxale entre génération et dégradation entropique
Published 2007-03-01“…If Joyce did manage to create new myths, in Jude the Obscure Hardy chose blasphemy. Mikhail Bakhtin (1895-1975) used Einstein’s ideas of space-time to coin the term « chronotope » to refer to his theory of the distinctive use of topology in particular genres of fiction. …”
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“I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s Motherless Brooklyn
Published 2020-07-01“…This article analyzes Jonathan Lethem’s neuronovel, Motherless Brooklyn (1999) in the light of Mikhail Bakhtin’s theory of the grotesque and laughter. …”
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Ética e hospitalidade: o motivo do monstro em O filho da mãe, de Bernardo Carvalho
Published 2017-01-01“…El mundo social estructurado en la obra, según el concepto de dialogismo, de Mikhail Bakhtin (1988), encuentra en el concepto de hospitalidad, acuñado por Jacques Derrida (2003), una clave de lectura productiva para el análisis de las alegorías del kunak y de la quimera, elementos clave de la narrativa. …”
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O pesquisador-cineasta e a ética dos olhares compartilhados
Published 2017-06-01“…A filosofia da linguagem de Mikhail Bakhtin, o debate pioneiro instaurado por Walter Benjamin sobre as transformações da arte na época da reprodução técnica, o cinema documentário de Eduardo Coutinho e a obra teórica e cinematográfica de Pasolini são as principais referências. …”
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O CORTE: da fragilidade do pacto social à corrosão do caráter na pós-modernidade
Published 2014-03-01“…A partir das indicações semiológicas de Mikhail Bakhtin e Marília Amorim, são extraídos elementos formais reiterados nas imagens do filme de modo a construir a problemática conceitual situada na articulação da psicanálise e da sociologia. …”
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Dialogic theology of missions as a response to the global refugee phenomenon
Published 2025-02-01“…In this regard, this article using Mikhail Bakhtin’s idea of dialogism as its framework attempts to construct a dialogic theology of missions as a response to the global refugee phenomenon. …”
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O eu-nós na poesia de Márcia Kambeba: identidade, resistência e alteridade na literatura de autoria indígena
Published 2024-12-01“…Ao ler os poemas, notamos uma lírica kambebiana do “eu-nós”, conforme Julie Dorrico (2017), revestida pelo discurso de identidade, resistência e alteridade — este último a partir da estética filosófica de Mikhail Bakhtin, uma vez que, embora seja reconhecido no âmbito dos estudos literários por sua teoria romanesca, em Estética da Criação Verbal (2011), temos conceitos filosóficos atribuídos à escrita de ficção que nos ajudam a pensar na lírica contemporânea de resistência aliada à alteridade. …”
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La Mélancolie et l’aspect spatio-temporel de l’identité dans Le pion sur l’échiquier d’Irène Némirovsky
Published 2024-12-01“…Paul Ricoeur’s theory of narrative identity, which focuses on unity and synthesis as the necessary prerequisite for the emergence of the sense of selfhood, and the concept of dialogical self developed by Mikhail Bakhtin, which favours incompleteness and openness, will be used to analyse the process of identity formation of the characters in The Pawn. …”
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SAVASTIES ĮGIJIMO BŪDAI. FOUCAULT IR BACHTINAS APIE GYVENIMO ESTETIZACIJĄ
Published 2003-01-01“…In this paper two different 20th century approaches to the notion of aesthetic are discussed: conceptions of Michael Foucault and Mikhail Bakhtin. Both of them closely link the notion of aesthetic with the idea of the self. …”
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