Mary Shelley, Les Aventures de Perkin Warbeck by Nathalie BERNARD

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Esther Schor, ed. The Cambridge Companion to Mary Shelley by Anne BERTON

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From Community to Alienation: Psychological and Social Isolation in Mary Shelley's Frankenstein by Shabaz Abdalla, Ayub Hasan Abdulqadir, Zuber Osman Ali, Hedayat Muhamad Ahmad

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La quête romantique de trois voyageurs : History of a Six Weeks’ Tour de Mary Shelley by Caroline VARENNE

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Les Enjeux ekphrastiques de la montagne à l’époque romantique by Michel Morel

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Frankenstein and Modern Criticism: the Myth of Inverted Narcissism by Victor Sage

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Le corps du monstre sans-papiers by Jean-Jacques Lecercle

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The Creature Becomes a Monster: by Jainab Tabassum Banu

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"On the very brink of a precipice": Landscapes of the Mind in Wilkie Collins’s Basil (1852) by Laurence Τalairach-Vielmas

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Hegel’in Romantik ve Sembolik Sanat Anlayışı Çerçevesinde Mary Shelley ve Ahmed Saadavi’nin Eserlerinde Frankenstein’ın Batı’dan Doğu’ya Yolculuğu by Ülfet Dağ, Müge Arslan Karabulut

“…Mary Shelley’nin Frankenstein ve Ahmed Saadavi’nin Frankenstein Bağdat’ta isimli eserlerinin konu edinildiği bu çalışmada, eserler Hegel’in sanat ayrımlaştırılmasından yola çıkılarak analiz edilmiştir. …”
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The Mystery of “those icy climes” (Shelley 269): Literature, Science and Early Nineteenth-century Polar Exploration by Catherine Lanone

“…Walton’s delusion and search for an open sea ties in with the journals of contemporary expeditions, as if Mary Shelley had sensed that the jingoistic expeditions might turn into epic disasters. …”
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FRANKENSTEIN VE ORLAN: SİNEMA VE PERFORMANS SANATINDA TEKNOFOBİ by Ayşegül Güçhan

“…Bilim ve teknolojinin ürkütücü sonuçları üzerine bir çalışma olan Mary Shelley'nin Frankenstein or The Modern Prometheus adlı romanı pek çok kez filme çekilmiştir. …”
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Jouer Frankenstein pour les « speculative eyes » ? l’incidence des premières représentations sur l’énergie rhétorique des fictions scientifiques by Rachel Nisbet

“…After the publication of Mary Shelley’s novel in 1818, however, theatre adaptations of this text had a much larger audience than the written work for two decades. …”
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Les pôles, territoires de l’imaginaire où science et fiction s’entremêlent by Frédérique Rémy

“…Science and fiction blend and reinforce mutually so the Arctic sea, free of ice becomes an irremovable reality, until Mary Shelley or Jules Verne. Hatteras will cross the ice barrier until the sea free of ice and will become mad. …”
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From Text, to Myth, to Meme: Penny Dreadful and Adaptation by Alison Lee, Frederick D. King

“…Challenging linear and genetic models of adaptation, Penny Dreadful transforms Mary Shelley’s Frankenstein (1818, 1831), Oscar Wilde’s The Picture of Dorian Gray (1890, 1891), and Bram Stoker’s Dracula (1897) into vehicles of cultural transmission: memes that have come to redefine the viewer’s relationship to Victorian literature and culture as a myth of modernity.…”
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Biocapitalisme et schizophrénie : repenser la frontière Frankenstein by Sean McQueen

“…En analysant et en opposant Frankenstein de Mary Shelley et Splice de Vincenzo Natali, cet article démontre que même si le déni du futur est autant celui de Victor Frankenstein que celui de sa créature, la frontière est néanmoins anthropocentrique. …”
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Shelley Jacksons’s Gender Politics in Patchwork Girl (1995): a Cyborg Approach by Anne-Laure Fortin-Tournès

“…The patched body of the monstrous female serves as a powerful metaphor for the hypertext itself and its capacity as a “feminine form” (Jackson) to deconstruct the binaries and boundaries introduced by modern science at the service of male hybris, which Mary Shelley’s Frankenstein, one of the key intertexts of Patchwork Girl, forcefully denounced. …”
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