Marianne Moore and the Lessons of Multiplicity by Heather Cass White

“…The intrinsically multiple work of American poet Marianne Moore (1887-1972) presents special challenges to her editors, as evidenced by the ever-increasing number of editions of her work. …”
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“Radical”: Marianne Moore and the Revision of Modernism by Aurore Clavier

“…Leading us from the working manuscript to the little magazine, from the individual collection to the endlessly emended magnum opus, from the anthology to the text-book, the practice of revision, then, retraces the historical construction of literary revolution(s), highlighting lines of rupture and continuity as certain names are marginalized or simply deleted.Because, among them, Marianne Moore was herself a relentless editor of her own or others’ words, yet has remained a shifting figure in the “great narrative” of Modernism, her work allows us to re-examine the claims of artistic radicalism, in the light of more complex modes of revision. …”
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“Cut Prose”? The Sentence and the Line in Marianne Moore’s Poetry by Aurore Clavier

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The Modernist Poem or the Infinite Prolegomena by Aurore Clavier

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« An Octopus / of ice » : stratigraphies d’un poème by Aurore Clavier

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(Women Writing) The Modernist Line by Cristanne Miller

“…Of the five English-language poets who experimented most radically with the poetic line in the 1910s, four were women: Mina Loy, H.D., Marianne Moore, and to a lesser extent Gertrude Stein, since she rejected the poetic line altogether in Tender Buttons. …”
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Duncan’s Stein Writings: Derivation and Logopoeia by Daniel Katz

“…It continues to examine Duncan’s mobilisation of syllepsis in his Stein writings, and to relate this figure to the Poundian conception of logopoeia, first elaborated in relation to the writings of Mina Loy and Marianne Moore. This allows for a recontextualisation of Stein within the history of Anglo-American modernist poetry by women, and a consideration of its consequences. …”
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