Flaubert and the retranslation of Madame Bovary by Sharon Deane

“…Of all Flaubert’s works, Madame Bovary holds the accolade of being subject to the highest frequency of retranslation in the British literary system. …”
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Madame Bovary and Catastrophism: Revolving narratives by Ruth Morris

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Madame Bovary ? elle habitait là-bas... by Ida Merello

“…After the publication of Madame Bovary, investigations began to find the models of Flaubert's characters and the true locations of the story. …”
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« Madame Bovary, par M. Gustave Flaubert » by Alfred-Auguste Cuvillier-Fleury

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Madame Bovary and the Sandman : Flaubert’s Uncanny Memories by Anne Green

“…An early manuscript note for Madame Bovary says that as a child, Emma believed in ‘l’homme qui jette du sable’. …”
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Le récit plantigrade (sur Madame Bovary) by Guy Larroux

“…On observing the variously shoed population in Madame Bovary, we can appraise the importance of the foot, the shoe, and are surprised by the constant attention paid to the connections from below. …”
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Traduire Flaubert : Madame Bovary en version roumaine by Florica Courriol

“…I intend to address in this paper the concrete problems I encountered when translating into Romanian FLAUBERT’s major work, Madame Bovary. First of all, its nature of retranslation has to be specified, since an existing version, published in the 1970s by a Romanian poet (Demostene Botez), was in fact in circulation when I started working on the original text. …”
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La médiation de Madame Bovary en Suède by Hans Färnlöf

“…The reception of Madame Bovary is slow, as Flaubert is initially presented as “the author of Salammbô”. …”
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Ridiculus sum : le ridicule dans Madame Bovary by Juliette Azoulai

Subjects: “…Madame Bovary…”
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Rémanence de Madame Bovary dans l’édition illustrée by Bruno Gallice

Subjects: “…Madame Bovary…”
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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

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“Enfoncer une porte ouverte”. Madame Bovary sounds as music by Roberto Doati

“…My contribution consists of an original musical work on Madame Bovary and the following text that is a description of the ideas behind the composition. …”
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A Madame Bovary’s Daughter: David Lean’s Visual Transliteration of Flaubert by Franck Dalmas

“…If we want to consider Madame Bovary as an innovative work of art it is crucial to visualize Flaubert’s narrative strategy. …”
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Identiques et différentes – à propos des répétitions dans Madame Bovary by Shiguéhiko Hasumi

“…Based on the analysis of an identical sentence (« son père l’amena lui-même ») which has been repeated, under different circumstances and with another meaning, about Charles as well as about Emma, this article has the purpose to measure on several levels the narrative potential of repetitions in Flaubert’s Madame Bovary.…”
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EXPLORING EMMA BOVARY’S DIFFUSED PERSONALITY IN GUSTAVE FLAUBERT’S MADAME BOVARY NOVEL by Zuvyati Aryani Tlonaen

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Le traducteur et les italiques. Omniscience et redressement dans Madame Bovary by Sophie Sarrazin

“…This paper focuses on how Flaubert’s use of italics is rendered in some translated texts of Madame Bovary (English, Spanish and Catalan translations). …”
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Le Bruit de l'amer: Time, Loss and Fossilized Romanticism in Madame Bovary by Luke Bouvier

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Des vitrines sur le roman : les couvertures de Madame Bovary et Salammbô by Bruna Donatelli

Subjects: “…Madame Bovary…”
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Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé by Alain Vaillant

“…Flaubert, as we all know, is the artist of impersonality, of the elocutionary disappearance of the novelist. And yet, in Madame Bovary, he intentionally introduces, thirty-four times, outside of any dialogue situation, a second person (you, yours, your…) that suggests the presence of a narrator addressing, beyond his characters, his readers – or even worse, strangely merging his readers with his characters. …”
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Comment traduire en japonais les styles indirect et indirect libre de Madame Bovary ? by Hisaki Sawasaki

“…We will define the grammatical issue and compare seven translations of Madame Bovary, published over a fifty year period. This time can be likened to a long path taken to digest the Western notion of direct and indirect styles, while reconciling it with Japanese language characteristics. …”
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