Zwischen Sprechen und Singen. ›Performative Formgebung‹ in den Chansons von Edmund Nick und Erich Kästner aus der Münchner Schaubude by Daniel Ernst

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Elizabeth Eva Leach, Fourteenth-Century French Notation, DIAMM Moodle at the Faculty of Music, University of Oxford. http://diamm.nsms.ox.ac.uk/moodle/ by Franz Körndle

Subjects: “…teaching music theory…”
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The stress level of future teachers depending on the direction of professional subject training by N. Yu. Galoy

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Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung by Markus Neuwirth, Martin Rohrmeier

Subjects: “…statistical-quantitative methods of music analysis…”
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Die Aufnahme bestätigt die Regel. Analyse als Interpretation (Response) by Julian Caskel

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Realistyczny musical? Allen – Resnais – von Trier by Rafał Koschany

Subjects: “…musical…”
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De l’apport du folk music revival au renouveau de l’accordéon diatonique en France et en Italie by Raffaele Pinelli

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FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM by Boróka GYARMATHY-BENCZE

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Consumos culturales urbanos: el caso de la tecnocumbia en Quito by Alfredo Santillán, Jacques Ramírez

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Movimiento y danza en Educación Secundaria. ¿Un fraude curricular o un currículo fraudulento? by María LÓPEZ RÍOS, Gregorio VICENTE NICOLÁS

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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El desarrollo de la identidad profesional del profesorado: el caso del especialista de música by José Luis Aróstegui Plaza

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El compositor Gerardo Guevara en el nacionalismo musical ecuatoriano. Un análisis de la obra Fiesta para piano by Jorge Campos Serrano

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La construcción social y cultural de la música. Comentarios al Dossier de Íconos 18 by Hernán Ibarra

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The evolution of historical forms of chinese theater and integration of visual arts by HAN LIN

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La presente ausencia de una generación by Leandro Delgado

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Mettre en scène les codes du genre : artifice et théâtralité dans la comédie musicale hollywoodienne classique by Anne Martina

Subjects: “…Hollywood musicals…”
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Lenguaje de programación para la composición automática de música by Erick G.G. de Paz, Perfecto Malaquías Quintero Flores, Xavier Quiñones Solís

Subjects: “…Composición musical automática…”
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The impact of musical expertise and directional isotropy on the proportions and magnitudes of pitch-shift responses in glissandos by Li-Hsin Ning

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Ironía y parodia en la obra musical de Juan Antonio Rosado Rodríguez by Rolando A. Vilasuso-Montero

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