Feminine Irony in the Religious Poetry of Gwyneth Lewis by Daniel SZABO

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“Never break them in two. Never put one over the other. Eve is Mary’s mother. Mary is the daughter of Eve”: Toni Morrison’s Womanist Gospel of Self by Claude LE FUSTEC

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Or else, or so or what? A few Examples of the Staging of the Implicit in English by Bertrand RICHET

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Ground Zero(3): Inside the New American Home by Louise LACHAPELLE

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Literary seduction: Minds, bodies and non-textual phenomena by Michael BURKE

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Forces Influencing Technical Mathematics Curriculum Implementation: Departmental Heads’ Understanding of Their Practices to Enact Roles and Responsibilities by Mfundo Mondli Khoza, Annatoria Zanele Ngcobo

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“What are we celebrating?”: Nation-Building and The Politics of Independence Commemoration in Ghana by Manuel Jojo MANU-OSAFO, Enoch LAMPTEY, Kofi Takyi ASANTE

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Constructing Modernism Periodically: T. E. Hulme’s Essays on Art in The New Age by Dominika BUCHOWSKA

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“The devil looks ten times worse with a white face”: Colours in Richard Brome’s The English Moor by Cristina PARAVANO

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Une terreur par l’image by Annie DULONG

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Publication and Recognition: Kay Boyle and the O. Henry Award by Christine HAIT

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Solvitur ambulando: The Peripatetic Essay from Leslie Stephen to Virginia Woolf by Marie LANIEL

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Creative rewritings of critical texts: report on a creative workshop, 3rd December 2022 by Helen E. MUNDLER-ARANTES, Laure-Hélène ANTHONY-GERROLDT, Florent DA SYLVA, Heathir LAWRENCE-MONASSA, Tanya TROMBLE-GIRAUD, Sara GREAVES

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Behind the Iron Curtain: Sylvia Plath and Hungary during the Cold War by Dorka TAMÁS

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Envisioning Metropolis—New York as Seen, Imaged and Imagined by Heinz ICKSTADT

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La mixité religieuse comme stratégie politique. La dynastie des Māmmadoč du Wallo (Éthiopie centrale), du milieu du XVIIIe siècle au début du XXe siècle by Éloi Ficquet

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Haunted Houses, Haunted Bodies: Spectral Presence in Arlington Park by Claire WROBEL

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Origines et étapes de la diversité des techniques sidérurgiques en Afrique de l’Ouest : le cas de la production du fer en pays bassar (nord du Togo) du XIIIe au XXe siècles by Caroline Robion-Brunner, Marie-Pierre Coustures, Stéphan Dugast, Assouman Tchetre-Gbandi, Didier Béziat

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Theatrical Colours: Cosmetics, Rhetoric and Theatre in Webster’s The White Devil by Natascha WANNINGER

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The beginnings of vernacular scientific discourse: genres and linguistic features in some early issues of the Journal des Sçavans and the Philosophical Transactions by David BANKS

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