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    ‘Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé by Erin Dunbar

    Published 2017-11-01
    “…Its initial performance in England was prohibited and it was not produced on stage until 1896; even then, it opened in Paris and not London. However, Wilde would not be thwarted; he insisted on publication, anyway. …”
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