The Malayan Landscape Paintings by Sarena Abdullah, Yuen Beng Lee

Subjects: “…Landscape paintings…”
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The Malayan Landscape Paintings by Sarena Abdullah, Yuen Beng Lee

Subjects: “…Landscape paintings…”
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SYNESTHESIA IN THE NOVEL BY M. PAVIĆ: “LANDSCAPE PAINTED WITH TEA” by Nataliya L. Bilyk

“…This creativity is evident in the novel “Landscape Painted with Tea”, where certain imaginative points are equated with equivalence with respect to the expressive-semantic interchange of taste and cognitive constants. …”
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Text, Image and the Discourse of Disappearing Indians in Antebellum American Landscape Painting by Thomas L. Doughton

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Innovative Application of Zhang Daqian's Green Landscape Painting Elements in Leather Women's Bags by Yixi LU, Jing WU

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Artistic Intelligence: A Diffusion-Based Framework for High-Fidelity Landscape Painting Synthesis by Wanggong Yang, Yifei Zhao

“…Generating high-fidelity landscape paintings presents significant challenges, necessitating precise control over both structure and style. …”
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A Style Transfer Method for Chinese Landscape Painting Based on Detail Feature Extraction and Fusion by Jinghao HU, Guohua GENG, Meijun XIONG, Siyi LI, Yuhe ZHANG

“…The public visual dataset COCO and a public landscape painting dataset are employed for training, validation, and testing, with the results compared to several baseline methods. …”
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Semantic Representation and Emotional Awareness in Chinese Painting Viewing: Is There a Difference Between Landscape Painting and Figure Painting? by Tinghu Kang, Ping Wang

Subjects: “…Chinese landscape painting…”
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In Sight of Mont Blanc: an Approach to Ruskin’s Perception of the Mountain by Laurence Roussillon-Constanty

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Alexandre HOGUE : peintre du "dust bowl" by Martine Tabeaud, Alexis Metzger

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Peindre la terre américaine pour construire la nation : l'École du Sublime by Bernadette Rigal-Cellard

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Nature and the European Spirit. The Aesthetics of Autonomous Natural Landscape in Painting by Ioan Pricop

Subjects: “…landscape painting…”
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The role that composition plays in determining how a viewer looks at landscape art by Tanya Beelders, Luna Bergh

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La peinture de paysage traditionnelle chinoise Séjour dans les monts Fuchun et son influence sur la conception de projets paysagers contemporains dans la vallée du fleuve Qiantang... by Xuewu Dou, Aude Nuscia Taïbi, Mustapha El Hannani

Subjects: “…traditional Chinese landscape painting…”
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Turner’s 1836 Alpine Crossing and the Little Ice Age Portrayed in Val Veny and Val Ferret; a Geography of the Sublime by Martin P. Kirkbride, Susan P. Mains, Vanessa Brazier

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La vue topographique en France au xviiie siècle : éclat et mésestime d’un genre by Émilie Beck-Saiello

“…Views or vedutes, a subgenre of landscape painting, were extremely popular in eighteenth-century Europe, especially within the context of the Grand Tour. …”
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PRINCIPLES OF DESCRIBING THE AESTHETIC CHARACTERISTICS OF NATURAL LANDSCAPES by A. G. Soukhovolsky, A. V. Kovalev, O. V. Tarasova, E. P. Chertkova, D. G. Zamolodchikov

“…It is assumed that aesthetic characteristics of forest areas and parks are formed in the same ways as the characteristics of painting, and especially landscape painting. In this regard, objects of landscape painting are considered from an artistic point of view and for their quantitative assessment the possibility of quantitative assessment of paintings by famous artists is considered. …”
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Wang Shu’s promenade of strolling in shan-shui and its dialogue with Le Corbusier’s concept by Mingyue Zhang, Jin Baek

“…Wang Shu’s promenade opens a spectrum between traditional landscape painting and Le Corbusier’s ideas, showcasing a fusion of influences and inspirations from diverse cultural contexts, while also contributing to an understanding of the integration of Eastern and Western architecture in contemporary discourse.…”
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SHAPES AND TOURISM DEVELOPMENT STRATEGIES OF URBAN AREA by Carmen IORDACHE

“…Along time, towns have proven to be landmarks in travelling, meaning that either their endowment has ben used as halt places during travels, or by the architecture of their buildings and assemblies, monuments, sculptures and bas-reliefs which have been used to decorate squares, public and private places, elements of decorative art, landscape painting, whereas the attractions they shelter have themselves proven to be some highly appreciated tourist destinations.Towns’ growth and modernization on one hand and the manifold of their supplies on the other have led along time to the emergence of a typical tourism form which is urban tourism. …”
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Framing the Land: Canadian Landscapes Revisited in Jin-me Yoon and Lorraine Gilbert’s Photography by Gwendolyne Cressman

“…The representation of landscapes through survey photography in the mid to late 1800s largely contributed to document Canadian and American expansionist endeavors, to ascertain the documentary and scientific role that photography would play in that expansion and to foster a sense of national belonging and of Anglo-Saxon supremacy which would also find its expression in landscape painting. While the photographers engaged in geographical and topographical expeditionary missions envisioned the land as the epitome of the sublime landscape, the Group of Seven painters of the 1920s and 1930s later sought to express the essence of Canada’s northern identity through the celebration of a mythical wilderness. …”
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