The Malayan Landscape Paintings by Sarena Abdullah, Yuen Beng Lee

Subjects: “…Landscape paintings…”
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The Malayan Landscape Paintings by Sarena Abdullah, Yuen Beng Lee

Subjects: “…Landscape paintings…”
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A hybrid attention generative adversarial network for Chinese landscape painting by Qiongshuai Lyu, Na Zhao, Zhiyuan Sun, Yu Yang, Chi Zhang, Ruolin Shi

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In Sight of Mont Blanc: an Approach to Ruskin’s Perception of the Mountain by Laurence Roussillon-Constanty

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La peinture de paysage traditionnelle chinoise Séjour dans les monts Fuchun et son influence sur la conception de projets paysagers contemporains dans la vallée du fleuve Qiantang... by Xuewu Dou, Aude Nuscia Taïbi, Mustapha El Hannani

Subjects: “…traditional Chinese landscape painting…”
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Turner’s 1836 Alpine Crossing and the Little Ice Age Portrayed in Val Veny and Val Ferret; a Geography of the Sublime by Martin P. Kirkbride, Susan P. Mains, Vanessa Brazier

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Théories géologiques et représentations du paysage dans la première moitié du xixe siècle by Alexis Drahos

“…From the final years of the eighteenth century, Geology enjoys a rapid development whose consequences won’t take long to react on the landscape painting of the time. Leaving from then on the study for the outer world, Naturalists set to look for clues on the ground to understand the past of our planet and particularly his old age. …”
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Framing the Land: Canadian Landscapes Revisited in Jin-me Yoon and Lorraine Gilbert’s Photography by Gwendolyne Cressman

“…The representation of landscapes through survey photography in the mid to late 1800s largely contributed to document Canadian and American expansionist endeavors, to ascertain the documentary and scientific role that photography would play in that expansion and to foster a sense of national belonging and of Anglo-Saxon supremacy which would also find its expression in landscape painting. While the photographers engaged in geographical and topographical expeditionary missions envisioned the land as the epitome of the sublime landscape, the Group of Seven painters of the 1920s and 1930s later sought to express the essence of Canada’s northern identity through the celebration of a mythical wilderness. …”
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The Glacier Views of Jean-Antoine Linck – A Milestone for the Mont Blanc Glacier History from the 18th to the 19th Century by Samuel U. Nussbaumer, Heinz J. Zumbühl

“…These illustrations introduced the realistic representation of the high mountains into the iconography of Genevese painting and thus led to a new kind of landscape painting with a permanent character. From a perspective of glacier history and although many of his artworks are not exactly dated by the author, the work of Jean-Antoine Linck is indispensable since it represents the whole development, specifically of the Mer de Glace and the Glacier des Bossons, but also other glaciers during the period from the end of the 18th century until the 19th century glacier maximum around 1820. …”
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Dark Aesthete: Gothic Elements in the Fiction of Walter Pater by Geoffrey Johnston Sadock

“…Walter Pater is today celebrated for his imaginary portraits, ekphrastic meditations on landscape, paintings, and sculpture; for his aesthetic method and prose style. …”
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Non-traditional data to inform modern climate science by Kimberley R. Miner, Ethan Wong, Bradley A. Gay, Charles E. Miller

“…We compile a list of diverse datasets collected over more than 500 years, including landscape paintings, sea lore, and animal migration data. …”
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